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Thread: Mouthpiece Lending Library

  1. #11
    Join Date
    Dec 2011
    Location
    Central North Carolina
    Posts
    2,193
    I think this is a wonderful idea and service to the euph/tuba/whatever-playing community. I'm not so concerned about the sterilization issue since I would do that myself and regard it as my responsibility. I've been doing that "forever," and certainly well before any pandemic issues.

    But -- and not to be a downer -- I'm skeptical about such a program's overall and long term success. Unless some sort of enforceable "guards" are put in place, I fear that the collection would (likely over a few short years) decline and disappear as people simply fail to return the "borrowed" mouthpieces for one of a variety of reasons. During my time as a professor I loaned several books (often quite expensive) out to undergraduates who simply never returned them, graduated and moved on. The "try it before you buy" it companies who support that approach for mouthpieces manage to avoid this by getting your credit card info, and then billing you for an unreturned item. But implementing that as part of such an informal "lending library," would turn it into more of a "business" that would have to be carefully administered as one. Doug Elliott does something similar with his mouthpiece trials/sales.

    I don't have a proposed solution to this, but it is probably the major stumbling block for creating and maintaining such a program -- which would be groundbreaking and a huge benefit, if it could be made to work.
    Gary Merrill
    Wessex EEb Bass tuba (DW 3XL or 2XL)
    Mack Brass Compensating Euph (DE N106, Euph J, J9 euph)
    Amati Oval Euph (DE 104, Euph J, J6 euph)
    1924 Buescher 3-valve Eb tuba (with std US receiver), Kelly 25
    Schiller American Heritage 7B clone bass trombone (DE LB K/K10/112/14 Lexan, Brass Ark MV50R)
    1947 Olds "Standard" trombone (Olds #3)

  2. Great idea, but yes, accountability would definitely be a concern. How long do you keep the mouthpiece for? When do you return it? How do you enforce people actually returning mouthpieces?

    Maybe some type of refundable deposit would be a solution? Maybe $50 (or more?). Once you pay the deposit, your mouthpiece loaner gets sent out for you to try and when you return it, you get $45 returned to you. The extra $5 is your "handling fee."

  3. #13
    This is my concern as well - I haven't quite figured it out yet, but I'm working on it.

    Quote Originally Posted by ghmerrill View Post
    I think this is a wonderful idea and service to the euph/tuba/whatever-playing community. I'm not so concerned about the sterilization issue since I would do that myself and regard it as my responsibility. I've been doing that "forever," and certainly well before any pandemic issues.

    But -- and not to be a downer -- I'm skeptical about such a program's overall and long term success. Unless some sort of enforceable "guards" are put in place, I fear that the collection would (likely over a few short years) decline and disappear as people simply fail to return the "borrowed" mouthpieces for one of a variety of reasons. During my time as a professor I loaned several books (often quite expensive) out to undergraduates who simply never returned them, graduated and moved on. The "try it before you buy" it companies who support that approach for mouthpieces manage to avoid this by getting your credit card info, and then billing you for an unreturned item. But implementing that as part of such an informal "lending library," would turn it into more of a "business" that would have to be carefully administered as one. Doug Elliott does something similar with his mouthpiece trials/sales.

    I don't have a proposed solution to this, but it is probably the major stumbling block for creating and maintaining such a program -- which would be groundbreaking and a huge benefit, if it could be made to work.
    Mike Taylor

    Illinois Brass Band
    Fox Valley Brass Band

  4. #14
    Join Date
    Dec 2011
    Location
    Central North Carolina
    Posts
    2,193
    Well, on reflection, there may in fact be a business opportunity here for you if you wanted to go in that direction. There are several approaches one might consider: per trial fee, subscription fee, etc. You're going to have to deal with shipping anyway, and avoiding the cost of that for yourself. And packaging costs. And -- let's be honest -- some compensation for your time. I do suspect that there may be a viable small business model here -- and that in fact that might be the only realistic way to make it work.
    Gary Merrill
    Wessex EEb Bass tuba (DW 3XL or 2XL)
    Mack Brass Compensating Euph (DE N106, Euph J, J9 euph)
    Amati Oval Euph (DE 104, Euph J, J6 euph)
    1924 Buescher 3-valve Eb tuba (with std US receiver), Kelly 25
    Schiller American Heritage 7B clone bass trombone (DE LB K/K10/112/14 Lexan, Brass Ark MV50R)
    1947 Olds "Standard" trombone (Olds #3)

  5. A subscription fee would probably be the easiest. A person pays maybe $10-20 for XX amount of time, and gets to demo as many mouthpieces as they want during that period. The issue I see with this model is again, there is no real incentive to return the mouthpieces. Subscriptions fees need to be low enough that it makes sense for the consumer. If it's too high, there isn't much benefit over buying the mouthpiece yourself.

    This is why I think the deposit system would work better. My tennis pro shop employs a similar system to demo tennis rackets. You can set a much higher dollar amount for the consumer because as long as they actually return the mouthpiece, they will get it back. The higher dollar amount also ensures that you are getting people who are serious about the program. And by keeping a small percentage of the deposit, you cover your shipping/handling costs.

  6. #16
    Join Date
    Dec 2011
    Location
    Central North Carolina
    Posts
    2,193
    Quote Originally Posted by cpoet89 View Post
    This is why I think the deposit system would work better.
    I agree. There is also a very closely related model of this that has worked well for a number of years: Doug Elliott Mouthpieces.
    Gary Merrill
    Wessex EEb Bass tuba (DW 3XL or 2XL)
    Mack Brass Compensating Euph (DE N106, Euph J, J9 euph)
    Amati Oval Euph (DE 104, Euph J, J6 euph)
    1924 Buescher 3-valve Eb tuba (with std US receiver), Kelly 25
    Schiller American Heritage 7B clone bass trombone (DE LB K/K10/112/14 Lexan, Brass Ark MV50R)
    1947 Olds "Standard" trombone (Olds #3)

  7. #17
    I still haven't figured out logistics, but this is the list so far:

    https://docs.google.com/spreadsheets...usp=drive_link
    Mike Taylor

    Illinois Brass Band
    Fox Valley Brass Band

  8. #18
    Quote Originally Posted by miketeachesclass View Post
    I still haven't figured out logistics, but this is the list so far:

    https://docs.google.com/spreadsheets...usp=drive_link
    Holy cow! That's an amazing list!
    Dave Werden (ASCAP)
    Euphonium Soloist, U.S. Coast Guard Band, retired
    Adams Artist (Adams E3)
    Alliance Mouthpiece (DC3)
    YouTube: dwerden
    Facebook: davewerden
    Twitter: davewerden
    Instagram: davewerdeneuphonium

  9. #19
    Join Date
    Jun 2018
    Location
    Summerville (SC)
    Posts
    467
    Hi Mike, your mega-list is totally amazing!

    BTW, I just sent you a PM and an email

    Best, Guido
    Miraphone M5050L + DC2, BT16, SM4
    Wessex EP104 Festivo
    Carolbrass CCR7772 cornet - Available For Adoption

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