Yeah, I I kinda talked them down in my original post - I could never make it as a salesman. I have a bad tendency to talk myself out of a sale.
It seems like it's hit or miss for these sort of things. Some people love them and some hate them. It may be also a case of tempering one's expectations on intonation and slotting. Of course it's not going to play just like an unmuted horn, and really the way I see it, these are for when you're traveling and need to keep your chops up or for quick technical practice in a hotel room or backstage. I've got a full sized Humes & Berg practice mute for my trombone that I've had since highschool and absolutely love.
Harrison Brown
Madison (Alabama) Community Band - Euphonium
My Euphoniums/Tuba:
Yamaha Neo YEP-642TS Compensating w/ MTS Trigger Euphonium
Reynolds Contempora Diatonic Bell Front Baritone 3-Valve w/ MTS Kicker
V. F. Červený CEP-531 4-Valve Bohemian Oval "Baryton"
Conn 60-I Wonderphone Double Bell 5-Valve Euphonium
Besson 223 3-Valve Compensating BBb Tuba