Reviews of equipment, recordings, and music
Our friends at Quick Horn Rinse have come up with another great solution to problems that many euphonium players face. The design and dimensions of modern euphoniums can make it tiring to hold them in the optimal playing position during concerts, rehearsals, and practice. Our tendency is to rest the bottom of the horn on the left leg. That relieves stress on the arms, but it usually places the mouthpiece too low, which results in players slouching to meet the mouthpiece. So euphoniumists ...
Updated 11-23-2021 at 07:55 PM by davewerden
Bill Ricker is a doer. He sees a need in the realm of brass instruments and his mind starts working on solutions. He is the inventor of the very useful Quick Horn Rinse (QHR) for encouraging us to keep our horns clean by making it more painless. Now he has come up with a solution for those who struggle holding the horn securely without straining their left wrist over the long term. I have in the past used a "Duck Foot" that was custom made for Glenn Call. It was a curved metal brace ...
Updated 11-23-2021 at 07:53 PM by davewerden
I recently had the privilege of reviewing a new CD of euphonium music. The artist is John Storey, who is principal and solo euphonium with the Coldstream Guards Band in the U.K. For U.S. readers who are not familiar with this band, it is roughly the equivalent of a U.S. Military Band. There are several wind bands in the Queen's regiments, including: The Grenadier GuardsThe Coldstream GuardsThe Scots GuardsThe Irish GuardsThe Welsh Guards In the U.S. our service ...
Updated 11-23-2021 at 07:54 PM by davewerden
I have a confession to make. I don't generally listen to euphonium and tuba recordings for relaxation/fun/etc. Because I play both instruments, I can't easily get out of an "analytical" mode so I can just listen to the music and performance. The same was true of orchestra and band music when I was still in the Coast Guard Band. Every time I heard a band I would be analyzing the sound, performance, programming and other ...
I am just finishing a very enlightening test of two new mouthpieces from the Denis Wick Heritage series: the 4AL and 4ABL. My regular mouthpiece is a "classic" Wick 4AL, and according to my measurements, the Heritage 4AL maintains the same dimensions within the accuracy of my digital caliper. The comparison between my mouthpiece and the Heritage of the same size proved (in case there was any doubt) that the distribution of mass on a mouthpiece makes an easily noticeable difference. ...
Updated 11-23-2021 at 07:51 PM by davewerden
Recital Review: David and Robert Childs Reviewed for the ITEA Journal (Volume 36 Number 1) by David WerdenAs soon as I learned this program was part of ITEC 2008 I was excited to hear it. David Childs and his father, Robert, are two great players, and I knew the recital would be both musical and entertaining. This is the first chance I have had to hear Robert Childs in several years, and ...
Updated 11-23-2021 at 07:57 PM by davewerden
Nick Etheridge One Clear Call - New Music with Tuba This album is part of a larger project by the gifted tubist Nick Etheridge to record a variety of music that features tuba. He is not limiting himself to the usual concerto-type, sonata-type, or variations-types of compositions, but rather is using creative arrangements and compositions to create many different moods and textures. On this recording the ...
Updated 11-23-2021 at 08:00 PM by davewerden
As part of our ongoing series of article reprints from Euphonia Magazine, we have just added a review of William Rose's Studio Class Manual for Tuba and Euphonium. The review was done by Glenn K. Call: Review of Studio Class Manual for Tuba and Euphonium
Updated 11-23-2021 at 08:01 PM by davewerden