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Euphonium-Tuba Blog

New Videos on this site or elsewhere.

  1. Learning from Others - Comparisons

    I was browsing some of the videos on my Euphonium Videos page, and found an interesting contrast between performances of the same music by Lyndon Baglin, Adam Frey, and Steven Mead.

    Lyndon performs in a very traditional British style. Steven also shows a British style, but sounds quite different. And Adam plays with a mostly-American style, although one can hear the British influence in his sound. Because they are all playing the same arrangement (mostly), it is a great opportunity ...
  2. David Werden, Euphonium Solo - Alfie

    This was part of my weekend at the University of Wisconsin, Eau Claire, in February, 2013. On Saturday I did a master class with Dr. Jerry Young's euphonium-tuba studio. Before the class started, I wanted to start with a simple song. I was demonstrating how one might choose a song to do as an instrumental. One requirement is that the melody be interesting even without the lyrics. I believe this song demonstrates that well. The Burt Bacharach melody (originally sung by Dionne Warwick) is pretty, ...
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  3. Live Video of the COMPLETE Capuzzi Concerto - David Werden, Euphonium

    After years of putting it off, in 2007 I finally got around to arranging the "missing" first movement of the Capuzzi concerto. I followed the general style of Catelinet's "Andante and Rondo" (movements two and three of the same concerto). Then earlier this year I had a chance to perform all three movements as the complete concerto.

    The playlist below should automatically play all three movements of the concerto from my euphonium recital at University of Wisconsin, Eau Claire, on Feb. ...
  4. Music for the ITEC 2014 Competitions

    Competition season is fast approaching. A few days ago I posted the music for the Falcone International Competition. But there is also an international competition from the International Tuba-Euphonium Association (ITEA). Deadlines and registration details can be found at the link here:

    Below is the music required, with links to as many as I could find online.

  5. Audition Advice - Part 2

    In previous posts I have covered some of the fundamentals of preparing for an audition. Now let's look in more depth at some of the other considerations of preparation and also consider some of the actual "performance" considerations of auditioning. In many ways, auditions are like performances. Both require careful practice and preparation. Both can involve stress, and with stress can come an "oops!" moment or two. Most importantly, your mental attitude and its effect on your appearance matter! ...
  6. Falcone Competition 2014 - Repertoire Lists

    Here is the music for the Falcone competition. In the case of the books listed, a piece will be selected from the book. Even if you are not entering this year, it is good material to practice!

    Links will take you to online resources to purchase:

    Student, Euphonium

    Preliminary Round (recorded with piano accompaniment)
    Guilmant: Morceau Symphonique for Trombone and Piano
    Sheet Music Plus

    Semi-Final Round (unaccompanied)
    Charlier, ...
  7. MP3 Recording: Barnum and Bailey's Favorite - U.S. Marine Band

    Here is a recording that makes a good example of playing a piece that you find on many audition lists: Barnum & Bailey's Favorite. This is one of the most famous circus marches ever written, to the point that it is almost iconic. It was written by bandleader (and euphonium player!) Karl King (1891-1971) in 1913.

    Performance is by The United States Marine Band, surely one of the very best wind bands in the world. Enjoy!

    Download the free MP3 of Barnum & Bailey's Favorite (March) ...
  8. False Tones in the Low Register

    We all know how brass instruments work, right? Without using any valves, our instruments are like a Boy Scout bugle - there are a bunch of relatively fixed notes available over the range of the horn (the partial series). We can bend each one a little flatter or sharper to match pitch with other players on the same note, but most of us can't bend as much as a half step dependably.

    While I was in high school I discovered an exception to that limitation. I learned that I could start on ...
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