French Horn was the instrument I wound up playing in my undergrad Brass Methods course.
I had no objections to being required to play it, and I was distinctly unremarkable on it.
I chose euphonium 50 some years later with a more positive result.
French Horn was the instrument I wound up playing in my undergrad Brass Methods course.
I had no objections to being required to play it, and I was distinctly unremarkable on it.
I chose euphonium 50 some years later with a more positive result.
During the Covid-lockdown in early 2021 I started playing around with Alto (\Tenor) horns, but as these are (becoming) obsolete in regular Wind Bands I switched to French Horn when we started rehearsals again. Then after a year I quit the Wind Band and joined a Symphony Orchestra.
I realise you're probably the wrong crowd to say this to, but it is a delight to play in a Symphony Orchestra again, after almost 20 years playing in Marching/Wind bands. But in the end, Symphonic Orchestral music is what I grew up with even though French Horn is a new instrument for me. I played 4th horn in the past program, but the next program I will be playing 1st horn in Brahms' 1st Symphony; that is a challenge I am looking forward to.
During my life I have performed at least once on all these Brass instruments: Cornet, Trumpet, Trombone once by accident, Tuba, Euphonium and most recently French Horn. So saying French Horn players are not real Brass players feels a bit like a personal attack...
I also still like to play around with the Alto Horns occasionally and I agree that they should continue to be used in Brass Bands; French Horn should stay in the Symphonic Wind and Symphony Orchestra.
Last edited by MarChant; 01-20-2023 at 04:36 PM.
Well said.
Without the French Horn there would be no Strauss Horn Concerto No. 1. The world would be a very sad place. Glorious is the word I would also use to describe this instrument.
My two cents: As a tuba player, I would love the chance to play in a smoky jazz trio of piano, bass, and drums. But as a musician, I know it should be done by a string bass.
So I would have to agree that the French horn has a place in the concert band or orchestra, but not in the traditional brass band.
I have no issue with French horns in general, except for their presumptuous claim to exclusive right to the word, "horn." I don't remember there being a vote on that.
We must remember that the French horn is the only brass instrument that is included in the standard brass quintet AND woodwind quintet!
Dave Werden (ASCAP)
Euphonium Soloist, U.S. Coast Guard Band, retired
Adams Artist (Adams E3)
Alliance Mouthpiece (DC4)
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Interesting read on tenor horns~
https://www.public.asu.edu/~jqerics/alto-tenor-FAQ.html
David Shinn
Peninsula Concert Band
Yorktown, Virginia
1971 Besson 181 ‘New Standard’ Euphonium (4 valve compensating) ~ Alliance DC3M
** 1960 Besson 180 ‘New Standard’ Euphonium (4 valve compensating) ** FOR SALE **
1971 Besson 176 ‘New Standard’ Euphonium (3 valve compensating) ~ Alliance DC3M
1979 Besson 755 'New Standard' Baritone (3 valve compensating) ~ Alliance DC5S
Facebook: https://www.facebook.com/davidshinn....ibextid=LQQJ4d
Peninsula Concert Band: https://www.peninsulaconcertband.org/
Interesting reading on tenor horns
The article makes no mention of alto/tenor horns in Hispanic banda music. I will try to find a better example, but this will do for now.
https://www.youtube.com/watch?v=xQ9CjJdn4nk
Last edited by MikeS; 01-30-2023 at 01:02 PM.
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