Sponsor Banner

Collapse

Eb Tuba

Collapse
X
 
  • Filter
  • Time
  • Show
Clear All
new posts
  • rgorscak
    Senior Member
    • Feb 2021
    • 178

    Eb Tuba

    When i went to get the Adam E3 valve fixed that i dropped, i was talking to the shop owner about the horns i have. I mentioned i had an Eb Tuba. He mentioned that he never would take an Eb tuba on consignment (I am not selling mine), but would only sell Bb tubas.

    I was curious, given that opinion, who does use Eb tubas? In the VFW band I play with, one tuba player played the C tuba and i never asked him why he chose that one.

    I was just curious about who would use what where and when!

    I do admit that i have not had time to play the tuba. I can read treble clef and can add the sharps necessary. But if i wanted to play something from memory that i can play on a trombone or euphonium, I cannot because i would still think the fingering and notes based upon those horns.
  • RickF
    Moderator
    • Jan 2006
    • 3869

    #2
    I think the Eb tuba would be useful in smaller ensembles. The main use I think is in British style brass bands where you normally have two Eb and two Bb tubas.
    Rick Floyd
    Miraphone 5050 - Warburton BJ / RF mpc

    "Always play with a good tone, never louder than lovely, never softer than supported." - author unknown.
    Symphonic Band of the Palm Beaches

    El Cumbanchero (Raphael Hernandez, arr. Naohiro Iwai)
    The Cowboys (John Williams, arr. James Curnow)
    Festive Overture(Dmitri Shostakovich)

    Comment

    • davewerden
      Administrator
      • Nov 2005
      • 11136

      #3
      In a clinic John Fletcher gave some years ago, he said he normally uses his Eb (a Besson Sovereign) in the Philip Jones ensemble AND in orchestra for most music. But he said he also has a large German CC tuba to use in Mahler/etc.

      A Sovereign Eb is a formidable instrument for a lot of uses. My first brass band gig (Classic Brass Band in Connecticut) was playing the Eb tuba parts on my Sovereign Eb. Danny Vinson, the other USCG euphonium player, was in the same group using his Miraphone CC (a small model, but I don't recall the number). We play tested each other's horns before a rehearsal once. Dan's CC was lighter to lift than my Besson Eb. It was quite easy to play, but did not have a rich a sound as the Besson.

      After many years of hearing various tubas in ensembles, I will say that the larger CC/BBb horns can add a "velvety depth" of sound that is hard to achieve on an Eb. It's a matter of the tonal balance, not volume. On the other hand, an Eb can add clarity in technical or declarative passages that might not be there with CC/BBb.
      Dave Werden (ASCAP)
      Euphonium Soloist, U.S. Coast Guard Band, retired
      Adams Artist (Adams E3)
      Alliance Mouthpiece DC3, Wick 4AL, Wick 4ABL
      YouTube: dwerden
      Facebook: davewerden
      Twitter: davewerden
      Instagram: davewerdeneuphonium

      Comment

      • rgorscak
        Senior Member
        • Feb 2021
        • 178

        #4
        Thanks Dave! Mine is a Wessex Bombino that i bought from someone in central Florida, a forum member. I bought it just to work on low notes but still have not had the time to do that! I get that the difference is really the sound or dexterity. If i ever decide to retire, I will have to donate more time to all these instruments i seem to be collecting for no valid reason

        Comment

        • John Morgan
          Moderator
          • Apr 2014
          • 1884

          #5
          Some noted tuba soloists use the Eb tuba, one in particular is Øystein Baadsvik, a very good virtuoso tubist. Brass band is clearly a place for Eb tuba. 2 of the 4 tubas in a brass band are Ebs. An Eb can also work well in small ensembles (brass quintets - you will commonly find both Bb and Eb parts for tuba) and in smaller sized concert bands, perhaps a wind ensemble. In very large community bands, say 70-90 players, an Eb tuba by itself might get a little lost in the crowd so to speak. But if you had multiple tuba players in the larger community band, an Eb could work. It also might not have the gravitas needed for a full symphony orchestra, a CC or BBb being the usual tubas used, with exceptions of course.
          Last edited by John Morgan; 08-23-2022, 10:37 PM.
          John Morgan
          The U.S. Army Band (Pershing's Own) 1971-1976
          Adams E3 Custom Series Euphonium, 1956 B&H Imperial Euphonium,
          1973 F. E. Olds & Son Studio Model T-31 Baritone
          Adams TB1 Tenor Trombone, Yamaha YBL-822G Bass Trombone
          Year Round Except Summer:
          Kingdom of the Sun (KOS) Concert Band, Ocala, FL (Euphonium)
          KOS Brass Quintet (Trombone, Euphonium)
          Summer Only:
          Rapid City Municipal Band, Rapid City, SD (Euphonium)
          Rapid City New Horizons Band (Euphonium)

          Comment

          • hyperbolica
            Member
            • Feb 2018
            • 133

            #6
            In my quintet, our tuba players have both used Eb, also in the small orchestra I play with. One of the pro quintets in the area uses a big Yamaha F. Sam Pilafian and Dallenbach used C most of the time, I think. I originally got an Eb Bombino as well to learn on, but I went the other way, with a 3/4 BBb. The fingerings are more natural on the BBb, but with the 3/4 size, it's easier to manage.

            I think you can make anything work, and it just comes down to trying stuff to see what you like best. It took me a couple of different tuba purchases to settle on the small BBb (Mack Brass 422).

            Comment

            • Pat
              Senior Member
              • Dec 2008
              • 399

              #7
              I played a Wessex Eb tuba in a community band and enjoyed it. As a native treble clef reader, the Eb was an easy transition and sounded just fine when played along with my BBb colleagues.
              Sterling Virtuoso Euphonium, Denis Wick 4AL

              Comment

              • Jamie Stewart
                Junior Member
                • Sep 2022
                • 2

                #8
                I play a EEb Besson Sovereign. The king of tubas! I grew up in Aberdeen, Scotland, so there is a heritage of brass bands and wind bands that play military band style music. The EEb fits into these bands and music type perfectly. I have played in orchestras, ensembles, all sorts, and the Sovereign EEb is a classy instrument to fit into any of these settings.

                Comment

                • anadmai
                  Senior Member
                  • Mar 2022
                  • 266

                  #9
                  I'm so used to calling them "Basses".. I'd give a boob for a late 80's beautiful Besson/BH Eb Bass. They're sooooo cute... (yeah, not the typical unit of measurement... LOL)
                  DANA


                  Meet the Family
                  Junior - Euphonium - 1906 - Henry Distin Mfg.
                  Hastings - Trombone - 1952 - Boosey and Hawkes
                  Bramwell - Euphonium - 1988 - Besson/Boosey and Hawkes (BE967)
                  Margaret - Baritone - 2015 - Sterling1050HS
                  Albert - Eb Bass - 2023 - Dillon 981S


                  New York Staff Band - 2nd Baritone - 1991-1994
                  Philadelphia Freedom Band - Euphonium
                  Lancaster British Brass Band (all hail the 2nd baritone) - 2022-

                  Comment

                  • ghmerrill
                    Senior Member
                    • Dec 2011
                    • 2382

                    #10
                    Originally posted by davewerden View Post
                    After many years of hearing various tubas in ensembles, I will say that the larger CC/BBb horns can add a "velvety depth" of sound that is hard to achieve on an Eb. It's a matter of the tonal balance, not volume. On the other hand, an Eb can add clarity in technical or declarative passages that might not be there with CC/BBb.
                    All true. In addition, the Eb will typically sound noticeably better above the (BC) staff. The contrabass will give you that "surround sound" effect, but the bass will give you a kind of clarity the contrabass won't. Tradeoffs.

                    In community bands, I have seen my share of BBb players simply avoid the top of the staff and beyond, either dropping out or playing down an octave. On the other hand, when mining in the octave below the staff, the Eb is definitely more work (and physical effort in many cases) -- and the tonal quality is not you'd like it to be unless you have BIG Eb (and I mean bigger than the typical 4-valve Besson-style horns that are favored). Mouthpiece choice can attenuate some of the issues.

                    I suspect that the retailer who doesn't want to get involved in Eb consignments is simply being realistic about the potential customer base (in the US), and how long such a horn would gather dust in his store.

                    Gosh, I haven't played in a few years now. I really should get back to it. But it's still so hit and miss in terms of community bands around here (practices and events), that I'm still just sitting and waiting. But I've been thinking I'll probably go back with the Eb tuba instead of the bass trombone -- assuming my back will agree to hauling it around. Kind of wishing I had a Bombino now instead of the Champion. Of course, I could always use the Buescher -- but that's a whole different sort of challenge.
                    Gary Merrill
                    Wessex EEb Bass tuba (DW 3XL or 2XL)
                    Mack Brass Compensating Euph (DE N106, Euph J, J9 euph)
                    Amati Oval Euph (DE 104, Euph J, J6 euph)
                    1924 Buescher 3-valve Eb tuba (with std US receiver), Kelly 25
                    Schiller American Heritage 7B clone bass trombone (DE LB K/K10/112/14 Lexan, Brass Ark MV50R)
                    1947 Olds "Standard" trombone (Olds #3)

                    Comment

                    Working...
                    X