There is a lot of good information on this forum from very knowledgeable members about the history of the Besson/B&H Imperial/New Standard/Sovereign history, but one question I don't seem to be able find in those discussions is this:
What was the purpose of the 3-valve compensating New Standard euphonium?
I bought one in December and have been enjoying it a lot, and I've been curious to know more about the model. Was there ever a 3 valve Imperial? What was the intended market for a three valve compensating euphonium? I think the majority of brass and concert band music doesn't really require extended low range for euphonium so maybe it was for section players as opposed to soloists? Were they popular in brass bands? Concert bands?
Any info/opinions you can share would be an enjoyable read for me, thanks!
What was the purpose of the 3-valve compensating New Standard euphonium?
I bought one in December and have been enjoying it a lot, and I've been curious to know more about the model. Was there ever a 3 valve Imperial? What was the intended market for a three valve compensating euphonium? I think the majority of brass and concert band music doesn't really require extended low range for euphonium so maybe it was for section players as opposed to soloists? Were they popular in brass bands? Concert bands?
Any info/opinions you can share would be an enjoyable read for me, thanks!
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