Hello everyone,

Over the course of the past twenty years, there has been a number of important works for the Euphonium which has really pushed the boundaries of what the Euphonium is capable of doing. I have always been fascinated with how Euphonium players approach the challenges of a new Concerto for Euphonium and I was really curious to see what aproaches forum members employed when preparing a major new work for a performance.

Best Wishes,

Micah Dominic Parsons