Sponsor Banner

Collapse

Wessex Sinfonico - Reviewed with Pictures and Videos

Collapse
X
 
  • Filter
  • Time
  • Show
Clear All
new posts
  • guidocorona
    Senior Member
    • Jun 2018
    • 483

    #16
    Hello John, "remotivate" must be a perfectly good word because my spell checker has not objected to my typing it here

    I am so looking forward to the result of your upcoming "remotivated" recording session on E3... And yes, doing the more lyrical pieces would be perfect! …. And, no pressure at all at all at all.... Really *Grins!*

    BTW, who is coming up next on the Sinfonico travelling eval show?

    Regards, Guido
    M5050L - DC2&3, SM2&4U, BT16, Carbonaria Heavy & New
    Wessex EP104 Festivo - available
    Carolbrass CCR7772 Bb cornet - Available

    Comment

    • John Morgan
      Moderator
      • Apr 2014
      • 1884

      #17
      Originally posted by guidocorona View Post
      Hello John, "remotivate" must be a perfectly good word because my spell checker has not objected to my typing it here

      I am so looking forward to the result of your upcoming "remotivated" recording session on E3... And yes, doing the more lyrical pieces would be perfect! …. And, no pressure at all at all at all.... Really *Grins!*

      BTW, who is coming up next on the Sinfonico travelling eval show?

      Regards, Guido
      Guido,

      At the risk of prematurely revealing the identity of the next reviewer, I can only say that the three remaining reviewers have first name initials of D, D, and J (in alphabetical order). If you assign the letters an ordinal number, then take the cardinal reciprocal of each, multiply by the inverse of the day of the week it will be tomorrow, expressed as a number from the start of the current year plus half the square root of the number of beads in an abacus, then rotate the answer and pick the highest one, you will have the first initial of the first name of the next reviewer. If you are able to ascertain that, I can provide further instructions for more letters, but it gets complicated...

      Hint: The initial is quite similar to my first name initial.
      John Morgan
      The U.S. Army Band (Pershing's Own) 1971-1976
      Adams E3 Custom Series Euphonium, 1956 B&H Imperial Euphonium,
      1973 F. E. Olds & Son Studio Model T-31 Baritone
      Adams TB1 Tenor Trombone, Yamaha YBL-822G Bass Trombone
      Year Round Except Summer:
      Kingdom of the Sun (KOS) Concert Band, Ocala, FL (Euphonium)
      KOS Brass Quintet (Trombone, Euphonium)
      Summer Only:
      Rapid City Municipal Band, Rapid City, SD (Euphonium)
      Rapid City New Horizons Band (Euphonium)

      Comment

      • DEF1
        Member
        • Apr 2018
        • 106

        #18
        Thank you for the review John and the great videos.

        My Dolce also has the main tuning slide water valve the “wrong way” round to what I have previously been used to. Is your Dolce not like this?

        Interesting that there is no lyre holder. I hadn’t noticed this when looking at photos.

        Regarding sound. It does have a nice sound but having listened to your recordings on my TV surround speakers I’m still finding the Dolce has the nicer sound. Perhaps it’s just because you were slightly further away from the mic when playing the Dolce?

        Interesting to see some of the comments regarding Chinese instruments and their longevity. I remember when people used to say the same about Japanese instruments. Funny how things change.

        Thanks again and I’m looking forward to the other 3 reviews.
        JP374 Sterling + Mercer and Barker GW3

        Comment

        • hyperbolica
          Member
          • Feb 2018
          • 133

          #19
          Originally posted by John Morgan View Post
          It seems on good horns that there are certain notes that just resonate and "sound particularly good". I notice several of these notes in the lower part of the Bb scale, with the bottom note being the concert Bb in the staff. On notes you refer to above the staff, I guess I really didn't notice too much difference in the character/timbre of the notes. That could have been me changing dynamics or the CamCorder not picking up my dynamics (or overpicking them up). Not sure, but wasn't aware of a change in timbre. Sometimes notes can just resonate and sound different/off depending on the acoustics of the room you are recording in.

          The longer I played the Sinfonico, the more I got settled in with it. I played it surely more than 10 hours. And each time I re-played a piece that I had just played a little earlier, it seemed to settle in and sound better. That was me getting used to the horn and trying to make it sound as good as I could.
          I'm a trombone player, so I'm used to the timbre changing a little with each partial. I'm still getting used to some of the finer points of euph playing, and the timbre can change with partials and with valve circuits. Alternate fingerings and alternate positions are not always used for the same reasons, which also gets a little confusing when you're trying to learn how to play a valve instrument with no pitch adjustment in tune.

          I have owned the Dolce, and currently use a Festivo. The Sinfonico really sounds great in a real player's hands. I think the 11" bell really helps lend some clarity to both the Festivo and the Sinfonico.Thanks so much for the recordings. Also looking forward to hearing your Adams recordings, especially as I'll probably never get the opportunity Eager to hear the rest as well.
          Last edited by hyperbolica; 06-08-2021, 11:08 AM.

          Comment

          • John Morgan
            Moderator
            • Apr 2014
            • 1884

            #20
            Originally posted by DEF1 View Post
            Thank you for the review John and the great videos.

            My Dolce also has the main tuning slide water valve the “wrong way” round to what I have previously been used to. Is your Dolce not like this?

            Interesting that there is no lyre holder. I hadn’t noticed this when looking at photos.

            Regarding sound. It does have a nice sound but having listened to your recordings on my TV surround speakers I’m still finding the Dolce has the nicer sound. Perhaps it’s just because you were slightly further away from the mic when playing the Dolce?

            Interesting to see some of the comments regarding Chinese instruments and their longevity. I remember when people used to say the same about Japanese instruments. Funny how things change.

            Thanks again and I’m looking forward to the other 3 reviews.
            I just checked my Dolce and the main tuning slide water key points in the opposite direction (what I am used to) of the 1st and 3rd water keys. But I bought that Dolce over 5 years ago. The piece where I am playing the Dolce (Morceau Symphonique) was indeed recorded a bit further away from the mic, AND I recorded that piece several times to try to get the very best sound and performance that I could. The pieces I recorded on the Sinfonico were basically just done in one sitting (standing I guess is the better word as I was standing!) and one take only. I tried to play my best, but they are the result of just one pass. And when I put the pieces together to get rid of the first and last part of each snippet, that worked pretty well until I deleted the last phrase of Danny Boy. But I had all my stuff put away by then, so I just left it as is.
            John Morgan
            The U.S. Army Band (Pershing's Own) 1971-1976
            Adams E3 Custom Series Euphonium, 1956 B&H Imperial Euphonium,
            1973 F. E. Olds & Son Studio Model T-31 Baritone
            Adams TB1 Tenor Trombone, Yamaha YBL-822G Bass Trombone
            Year Round Except Summer:
            Kingdom of the Sun (KOS) Concert Band, Ocala, FL (Euphonium)
            KOS Brass Quintet (Trombone, Euphonium)
            Summer Only:
            Rapid City Municipal Band, Rapid City, SD (Euphonium)
            Rapid City New Horizons Band (Euphonium)

            Comment

            • EvanWeeks
              Junior Member
              • Mar 2021
              • 19

              #21
              Originally posted by John Morgan View Post
              Thanks, Rick! You are correct on the intonation. Once I had the main tuning slide where I wanted it, the horn played very well in tune. I checked it frequently with the tuner, especially when playing slower pieces. I elected not to do an in depth review of the tuning, as a couple of the other reviewers will probably elect to do that.
              This confirms my suspicion that my intonation issues with the Sinfonico were less the instrument and more my weak embouchure recovering from a decade and a half of atrophy. Doing an hour a day of highly structured practice most days, and it's helping. Lots of long tones, lots of scales, transcribed a bunch of stuff for me to play along with, too, including "Feed The Birds" from Mary Poppins, which is my favorite.
              Trombone - Andreas Eastmann ETB432G
              Trombone - Buescher 410 Tenor (1926)
              Trumpet - John Packer JP251SW in Frosted Gold
              Euphonium - King 1129SP Marching Euphonium
              Euphonium - Wessex EP600 "Sinfonico"

              Comment

              • Shawn
                Member
                • May 2020
                • 110

                #22
                Originally posted by EvanWeeks View Post
                This confirms my suspicion that my intonation issues with the Sinfonico were less the instrument and more my weak embouchure recovering from a decade and a half of atrophy. Doing an hour a day of highly structured practice most days, and it's helping. Lots of long tones, lots of scales, transcribed a bunch of stuff for me to play along with, too, including "Feed The Birds" from Mary Poppins, which is my favorite.
                I remain unconvinced.
                Of course the one making the rounds to our resident expert players was optimised before it was shipped out. It's like when they let magazines test drive a car: they give them the absolute best tuned-up copy.
                The sample shipped to me this time last year was hopeless. And that's a pity, because it was a horn I desperately wanted to replace my Willson 2975.

                If we were the only ones, I'd be more likely to agree with you.
                Buyer beware.

                Comment

                • davewerden
                  Administrator
                  • Nov 2005
                  • 11136

                  #23
                  Originally posted by Shawn View Post
                  Of course the one making the rounds to our resident expert players was optimized before it was shipped out. It's like when they let magazines test drive a car: they give them the absolute best tuned-up copy.
                  Um, probably not. In my experience they A) don't have enough samples of a popular horn to have much choice about what to send (I know that is the case here), and B) there really isn't much a distributor can do to improve intonation.
                  Dave Werden (ASCAP)
                  Euphonium Soloist, U.S. Coast Guard Band, retired
                  Adams Artist (Adams E3)
                  Alliance Mouthpiece DC3, Wick 4AL, Wick 4ABL
                  YouTube: dwerden
                  Facebook: davewerden
                  Twitter: davewerden
                  Instagram: davewerdeneuphonium

                  Comment

                  • guidocorona
                    Senior Member
                    • Jun 2018
                    • 483

                    #24
                    Hmmm.... if Sinfonico's has improved intonation since Sean's experience, the simplest and most likely explanation is that.... Wessex has addressed Sinfonico's intonation in the latest production runs.

                    Buyer Beware... Of conspiracy theories, that is *Grins!*

                    Regards, G.
                    M5050L - DC2&3, SM2&4U, BT16, Carbonaria Heavy & New
                    Wessex EP104 Festivo - available
                    Carolbrass CCR7772 Bb cornet - Available

                    Comment

                    • highpitch
                      Senior Member
                      • Mar 2006
                      • 1034

                      #25
                      Indeed. There is enough "Q-Anon"-like stuff about euphoniums anyway.

                      Dennis

                      Comment

                      • spkissane
                        Senior Member
                        • Jul 2011
                        • 226

                        #26
                        Is that Q41-anon or Q40-anon???
                        Sean Kissane
                        Low Brass Specialist, Paige's Music
                        Principal Euphonium, Indianapolis Brass Choir
                        Principal Euphonium, Crossroads Brass Band

                        Comment

                        • highpitch
                          Senior Member
                          • Mar 2006
                          • 1034

                          #27
                          Ha!

                          DG

                          Comment

                          • guidocorona
                            Senior Member
                            • Jun 2018
                            • 483

                            #28
                            Has been a bit since John Morgan's review..... Is Sinfonico still on its way to the next fortunate reviewer?

                            Saluti, G.
                            M5050L - DC2&3, SM2&4U, BT16, Carbonaria Heavy & New
                            Wessex EP104 Festivo - available
                            Carolbrass CCR7772 Bb cornet - Available

                            Comment

                            • davewerden
                              Administrator
                              • Nov 2005
                              • 11136

                              #29
                              Originally posted by guidocorona View Post
                              Has been a bit since John Morgan's review..... Is Sinfonico still on its way to the next fortunate reviewer?

                              Saluti, G.
                              The next reviewed has requested a slight logistical delay, but I think that is about expired now. Things should start to happen again soon!
                              Dave Werden (ASCAP)
                              Euphonium Soloist, U.S. Coast Guard Band, retired
                              Adams Artist (Adams E3)
                              Alliance Mouthpiece DC3, Wick 4AL, Wick 4ABL
                              YouTube: dwerden
                              Facebook: davewerden
                              Twitter: davewerden
                              Instagram: davewerdeneuphonium

                              Comment

                              Working...
                              X