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Here are a few photos:
Attached Files
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Gorgeous looking horn!Rick Floyd
Miraphone 5050 - Warburton BJ / RF mpc
"Always play with a good tone, never louder than lovely, never softer than supported." - author unknown.
Symphonic Band of the Palm Beaches
El Cumbanchero (Raphael Hernandez, arr. Naohiro Iwai)
The Cowboys (John Williams, arr. James Curnow)
Festive Overture (Dmitri Shostakovich)Comment
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Beautiful horn, Michael!! Mine is now over five years old, and I still love it and love looking at it.John Morgan
The U.S. Army Band (Pershing's Own) 1971-1976
Adams E3 Custom Series Euphonium, 1956 B&H Imperial Euphonium,1973 F. E. Olds & Son Studio Model T-31 BaritoneAdams TB1 Tenor Trombone, Yamaha YBL-822G Bass Trombone
Year Round Except Summer:Kingdom of the Sun (KOS) Concert Band, Ocala, FL (Euphonium)Summer Only:
KOS Brass Quintet (Trombone, Euphonium)Rapid City Municipal Band, Rapid City, SD (Euphonium)
Rapid City New Horizons Band (Euphonium)Comment
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Your Adams is a beauty. Enjoy!JP374 Sterling + Mercer and Barker GW3Comment
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A few thoughts after the first week. I'm still trying to wrap my head around Dave and John's comments about letting the horn resonate. It happens more often as time goes by but it's hard to describe what I'm doing differently. The horn seems to resonate more when I'm trying the least. The E3 is incredibly responsive meaning I don't have to work as hard. And this is true in all registers.
I'm trying to figure out the intonation and the AGR. G concert in the treble clef staff is sharp and works best using 3rd valve. The C concert below that staff requires the 4th valve slide to be out 3/4". Otherwise it's very consistent. It's SO nice not to have to play G3 1 and 3!
Once I get into better playing shape and buy a good digital recorder, I'll post some excerpts.Comment
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