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George Swift - La Capricciossa

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  • davewerden
    Administrator
    • Nov 2005
    • 11136

    George Swift - La Capricciossa

    This is a very old recording, but a real eye opener! I had no idea people played like this in 1938:

    https://youtu.be/jsH6dkvjFRI

    Dave Werden (ASCAP)
    Euphonium Soloist, U.S. Coast Guard Band, retired
    Adams Artist (Adams E3)
    Alliance Mouthpiece DC3, Wick 4AL, Wick 4ABL
    YouTube: dwerden
    Facebook: davewerden
    Twitter: davewerden
    Instagram: davewerdeneuphonium
  • Snorlax
    Senior Member
    • Mar 2007
    • 1003

    #2
    And there was no splicing or fixing it in the mix, either!! Amazing.
    Jim Williams N9EJR (love 10 meter CW)
    Formerly Principal Euphonium in a whole
    bunch of groups, now just a schlub.
    Shires Q41, Yamaha 321, 621 Baritone
    Wick 4AL, Wessex 4Y, or whatever I grab.
    Conn 50H trombone, Blue P-bone
    www.soundcloud.com/jweuph

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    • dsurkin
      Senior Member
      • Feb 2014
      • 526

      #3
      Originally posted by Snorlax View Post
      And there was no splicing or fixing it in the mix, either!! Amazing.
      Composed by Franz Reis for violin and piano. The original is in concert E, with the highest note being B6 in scientific notation. My ear for absolute pitch is mostly nonexistent, but I'm guessing that Mr. Swift took this down to Eb, a more friendly trumpet key. That means that his top note in this piece was Bb6, or "double-C" as trumpeters call it. Pretty astounding in range, evenness of tone in the altissimo range, and in the technique.

      If I remember correctly, Didn't Snooky Young, also active as early as the late 1930s, have a double C?
      Dean L. Surkin
      Mack Brass MACK-EU1150S, BB1 mouthpiece
      Bach 36B trombone; Bach 6.5AL and Faxx 7C mouthpieces (pBone on loan to granddaughter)
      Steinway 1902 Model A, restored by AC Pianocraft in 1988; Kawai MP8, Yamaha KX-76
      See my avatar: Jazz (the black cockapoo; RIP) and Delilah (the cavapoo) keep me company while practicing

      Comment

      • davewerden
        Administrator
        • Nov 2005
        • 11136

        #4
        Originally posted by dsurkin View Post
        If I remember correctly, Didn't Snooky Young, also active as early as the late 1930s, have a double C?
        I hadn't heard that before, but he certainly was considered a top player so it is not hard to believe.
        Dave Werden (ASCAP)
        Euphonium Soloist, U.S. Coast Guard Band, retired
        Adams Artist (Adams E3)
        Alliance Mouthpiece DC3, Wick 4AL, Wick 4ABL
        YouTube: dwerden
        Facebook: davewerden
        Twitter: davewerden
        Instagram: davewerdeneuphonium

        Comment

        • Snorlax
          Senior Member
          • Mar 2007
          • 1003

          #5
          It ends in concert B flat, so the high note is a concert F.
          Still amazing.
          Jim Williams N9EJR (love 10 meter CW)
          Formerly Principal Euphonium in a whole
          bunch of groups, now just a schlub.
          Shires Q41, Yamaha 321, 621 Baritone
          Wick 4AL, Wessex 4Y, or whatever I grab.
          Conn 50H trombone, Blue P-bone
          www.soundcloud.com/jweuph

          Comment

          • dsurkin
            Senior Member
            • Feb 2014
            • 526

            #6
            Originally posted by Snorlax View Post
            It ends in concert B flat, so the high note is a concert F.
            Still amazing.
            Your ears are better than mine!
            Dean L. Surkin
            Mack Brass MACK-EU1150S, BB1 mouthpiece
            Bach 36B trombone; Bach 6.5AL and Faxx 7C mouthpieces (pBone on loan to granddaughter)
            Steinway 1902 Model A, restored by AC Pianocraft in 1988; Kawai MP8, Yamaha KX-76
            See my avatar: Jazz (the black cockapoo; RIP) and Delilah (the cavapoo) keep me company while practicing

            Comment

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