I love this piece, especially for developing a sense of long lines. Soon I will send Cimarron an arrangement for euphonium and piano, moved from the original Eb to a nice Bb for euphonium. (Later I will send them a version in the original key for tuba, down an octave in the solo.)
One question is how to get a sound that works best for this piece. Here are two examples, the second of which is an experiment to try a little brighter sound. Which do you think fits the best?
Example from Jan. 5:
https://youtu.be/LwN-jNuETDQ
Example from yesterday:
https://youtu.be/cLVTR62ZGy8