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Thread: Rochut - Down an octave

  1. #1

    Rochut - Down an octave

    I was going back through old books and came across my old Rochut book. I noticed a marking an old teacher had made to play the etudes down an octave, and it got me wondering - why? Is simply to work the lower range, or is there some magical benefit I never discovered?

  2. #2
    Sometimes when I'm working Vinings' Range Songs, I'll play thru an octave down first, and then as written. I get a double benefit -- working the low range (and I love playing low ) and getting a chops break from having been screeching on the previous one. I don't think I've done Rochut an octave down. I can see another benefit from that -- building fingering technique in the low range, because the fingerings there are different from the fingerings an octave higher.
    David Bjornstad

    1923 Conn New Wonder 86I, Bach 6 1/2 AL
    2018 Wessex EP100 Dolce, Denis Wick 4ABL
    2013 Jinbao JBEP-1111L, Denis Wick 4AM
    2015 Jinbao JBBR-1240, Denis Wick clone mouthpiece of unknown designation
    Cullman (AL) Community Band (Euph Section Leader)
    Brass Band of Huntsville (2nd Bari)

  3. Along with an octave lower my teacher had me read them as tenor clef as well; works on two things: tenor clef reading and range!
    Last edited by LouieD; 11-13-2019 at 10:04 AM.
    Mack Euph
    Warburton Demondre MP

  4. #4
    I'll play them in all 12 keys! It's great transposition and ear training practice because you know them all so well. Octave down is great for developing low register and it also really does amazing things for air flow and control. I always feel like a superhero after I've been playing octave down for a while when I go back to the regular register.
    --
    Barry

  5. #5
    Join Date
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    I really need to work on that transposition thing. It really is a useful skill for a multi-instrumentalist, or any instrumentalist for that matter.
    Sterling / Perantucci 1065HGS Euphonium, 1952 B&H Imperial Eb Tuba, and a bunch of trombones.

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