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  • davewerden
    Administrator
    • Nov 2005
    • 11137

    lefreQue Times 4

    And the preliminary award for the most lefreQue plates on one euphonium goes to... Jan Schulze:

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    (Got this from Instagram) - Anyone else want to enter the competition?
    Dave Werden (ASCAP)
    Euphonium Soloist, U.S. Coast Guard Band, retired
    Adams Artist (Adams E3)
    Alliance Mouthpiece DC3, Wick 4AL, Wick 4ABL
    YouTube: dwerden
    Facebook: davewerden
    Twitter: davewerden
    Instagram: davewerdeneuphonium
  • ChristianeSparkle
    Senior Member
    • Jun 2018
    • 366

    #2
    Sir, make that five. There's one more on the mouthpiece leadpipe.

    Wonder if there's any at the main tuning slide or further down the 3rd valve slide
    "Never over complicate things. Accept "bad" days. Always enjoy yourself when playing, love the sound we can make on our instruments (because that's why we all started playing the Euph)"

    Euph: Yamaha 642II Neo - 千歌音
    Mouthpiece: K&G 4D, Denis Wick 5AL

    https://soundcloud.com/ashsparkle_chika
    https://www.youtube.com/user/AshTSparkle/

    Comment

    • davewerden
      Administrator
      • Nov 2005
      • 11137

      #3
      Originally posted by ChristianeSparkle View Post
      Sir, make that five. There's one more on the mouthpiece leadpipe.
      Right you are! Not sure how I missed that one. BTW, the video doesn't show other areas of the horn where more plates might be hidden.
      Dave Werden (ASCAP)
      Euphonium Soloist, U.S. Coast Guard Band, retired
      Adams Artist (Adams E3)
      Alliance Mouthpiece DC3, Wick 4AL, Wick 4ABL
      YouTube: dwerden
      Facebook: davewerden
      Twitter: davewerden
      Instagram: davewerdeneuphonium

      Comment

      • ChristianeSparkle
        Senior Member
        • Jun 2018
        • 366

        #4
        Wonder how many we can put on a horn & how many folds of improvement we can see with each additional plate
        "Never over complicate things. Accept "bad" days. Always enjoy yourself when playing, love the sound we can make on our instruments (because that's why we all started playing the Euph)"

        Euph: Yamaha 642II Neo - 千歌音
        Mouthpiece: K&G 4D, Denis Wick 5AL

        https://soundcloud.com/ashsparkle_chika
        https://www.youtube.com/user/AshTSparkle/

        Comment

        • jkircoff
          Senior Member
          • Jan 2013
          • 213

          #5
          Ahhhh lefreQues.....they are always good for a bit of a debate.

          I've tried lefreQues and found them to be a placibo effect. When you first put them on, your brain is expecting there to be a difference, meaning there's a good chance you're inherently biased to think the plates are enhancing the sound of your instrument. After using them for several weeks then taking them off, I found no difference in sound, slotting, etc. Steven Mead was promoting them for a while, but he has since removed them from his Besson.

          Now....there are some who swear by lefreQues....and to those who believe it makes a difference, more power to them. They are INSANELY expensive though (the set of four in the picture above is probably a $700 investment)...and I highly recommend anyone considering them to borrow them for an extended period of time if possible first.
          James Kircoff
          Genesee Wind Symphony - principal euphonium (Adams E3 Custom .60mm yellow brass bell w/ K&G 3.5)
          Capital City Brass Band (2019 NABBA 2nd section champions) - 1st baritone (Besson BE956 w/ Denis Wick 6BY)

          Comment

          • TheJH
            Senior Member
            • Dec 2014
            • 339

            #6
            Yeah just the costs of the things alone is an initial big nope for me.

            For the rest... When I tried them (yeeeeaaaars ago) I found the changes to be for the worse, actually. Goes to show that you can't just slap on anything and expect it to be fine.
            Euphoniums
            2008 Willson 2960TA Celebration
            1979 Boosey & Hawkes Sovereign (Round Stamp)
            Mouthpiece: Denis Wick SM4
            Baritone
            1975 Besson New Standard
            Mouthpiece: Courtois 10

            Comment

            • highpitch
              Senior Member
              • Mar 2006
              • 1034

              #7
              They remind me of those 'save gasoline' mileage improver doodads.

              If you bought them all, and installed them, your tank would overflow every time you drove your car...

              DG

              Comment

              • JakeGuilbo
                Senior Member
                • Feb 2006
                • 346

                #8
                Steven Mead claims that his new gold Prestige was mfg in such a way that he doesn't need the lefreque plates
                Adams E3 0.6 with SS Bell
                K&G 3.5D
                ---------------------------------
                Founder and Solo Euphonium
                San Francisco Brass Band

                Comment

                • RickF
                  Moderator
                  • Jan 2006
                  • 3871

                  #9
                  Well, I confess that I still use one over my mpc connection to its receiver. The effects are subtle... like the 'b' in subtle I guess. I didn't hear a big difference myself but my wife said she could. It sounded a little louder with the lefreque plate on.
                  Rick Floyd
                  Miraphone 5050 - Warburton BJ / RF mpc

                  "Always play with a good tone, never louder than lovely, never softer than supported." - author unknown.
                  Symphonic Band of the Palm Beaches

                  El Cumbanchero (Raphael Hernandez, arr. Naohiro Iwai)
                  The Cowboys (John Williams, arr. James Curnow)
                  Festive Overture (Dmitri Shostakovich)
                  ​

                  Comment

                  • franz
                    Senior Member
                    • Dec 2015
                    • 392

                    #10
                    I have been using them for some years and I was convinced that some benefits gave it: last week I washed my Prestige and I have not repositioned the plates: I don't feel the difference. I found some photos of someone who turned their euphonium into an indecent thing with plates: how can anyone believe that such a thing could somehow improve the sound? Mah....

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                    2007 Besson Prestige 2052, 3D+ K&G mouthpiece; JP373 baritone, 4B modified K&G mouthpiece; Bach 42GO trombone, T4C K&G mouthpiece; 1973 Besson New Standard 3 compensated valves, 3D+ K&G modified mouthpiece; Wessex French C tuba, 3D+ K&G modified mouthpiece.

                    Comment

                    • davewerden
                      Administrator
                      • Nov 2005
                      • 11137

                      #11
                      Originally posted by franz View Post
                      ...I found some photos of someone who turned their euphonium into an indecent thing with plates: how can anyone believe that such a thing could somehow improve the sound?
                      Those pictures cry out with a message: that person should have bought a different horn! I have to think that all those plates would "stiffen" the horn, lessen its overall vibration, but perhaps give it a denser, more focused sound. Whatever qualities the owner enjoyed with the added plates are probably available in a different brand without all the attachments.
                      Dave Werden (ASCAP)
                      Euphonium Soloist, U.S. Coast Guard Band, retired
                      Adams Artist (Adams E3)
                      Alliance Mouthpiece DC3, Wick 4AL, Wick 4ABL
                      YouTube: dwerden
                      Facebook: davewerden
                      Twitter: davewerden
                      Instagram: davewerdeneuphonium

                      Comment

                      • ChristianeSparkle
                        Senior Member
                        • Jun 2018
                        • 366

                        #12
                        Originally posted by JakeGuilbo View Post
                        Steven Mead claims that his new gold Prestige was mfg in such a way that he doesn't need the lefreque plates
                        Misa Mead seem to stop using it too, did she change her instrument?
                        "Never over complicate things. Accept "bad" days. Always enjoy yourself when playing, love the sound we can make on our instruments (because that's why we all started playing the Euph)"

                        Euph: Yamaha 642II Neo - 千歌音
                        Mouthpiece: K&G 4D, Denis Wick 5AL

                        https://soundcloud.com/ashsparkle_chika
                        https://www.youtube.com/user/AshTSparkle/

                        Comment

                        • jkircoff
                          Senior Member
                          • Jan 2013
                          • 213

                          #13
                          Originally posted by JakeGuilbo View Post
                          Steven Mead claims that his new gold Prestige was mfg in such a way that he doesn't need the lefreque plates
                          I suspect Besson wasn't terribly keen on Mead putting lefreque plates on their premiere euphoniums in the first place. Mead is a Besson artist, and the use of lefreques suggests their 2052s don't produce the best possible sound out of the factory -- not necessarily the best look for business.
                          James Kircoff
                          Genesee Wind Symphony - principal euphonium (Adams E3 Custom .60mm yellow brass bell w/ K&G 3.5)
                          Capital City Brass Band (2019 NABBA 2nd section champions) - 1st baritone (Besson BE956 w/ Denis Wick 6BY)

                          Comment

                          • ghmerrill
                            Senior Member
                            • Dec 2011
                            • 2382

                            #14
                            Originally posted by jkircoff View Post
                            I suspect Besson wasn't terribly keen on Mead putting lefreque plates on their premiere euphoniums in the first place. Mead is a Besson artist, and the use of lefreques suggests their 2052s don't produce the best possible sound out of the factory -- not necessarily the best look for business.
                            But surely a real artist wouldn't be influenced by that.

                            I wonder if, instead of getting a euphonium first and then attaching plates to it, anyone has tried buying a set of plates first and then attaching a euphonium to them. Sometimes a difference in perspective can make all the difference. I'm thinking that ideally once you have your maximal set of plates, then you should be able to attach any junk euphonium to them, and voila!
                            Gary Merrill
                            Wessex EEb Bass tuba (DW 3XL or 2XL)
                            Mack Brass Compensating Euph (DE N106, Euph J, J9 euph)
                            Amati Oval Euph (DE 104, Euph J, J6 euph)
                            1924 Buescher 3-valve Eb tuba (with std US receiver), Kelly 25
                            Schiller American Heritage 7B clone bass trombone (DE LB K/K10/112/14 Lexan, Brass Ark MV50R)
                            1947 Olds "Standard" trombone (Olds #3)

                            Comment

                            • franz
                              Senior Member
                              • Dec 2015
                              • 392

                              #15
                              Update:
                              I put the plates back because with them, even if they don't seem to give significant improvements in sound, they make the ugly beast of the high C# be hit more easily.
                              2007 Besson Prestige 2052, 3D+ K&G mouthpiece; JP373 baritone, 4B modified K&G mouthpiece; Bach 42GO trombone, T4C K&G mouthpiece; 1973 Besson New Standard 3 compensated valves, 3D+ K&G modified mouthpiece; Wessex French C tuba, 3D+ K&G modified mouthpiece.

                              Comment

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