From what I know, the Dolce is a clone of the yamaha 642. How does it compare with the original 642 and how do the Dolce and 642 compare to the neo?
From what I know, the Dolce is a clone of the yamaha 642. How does it compare with the original 642 and how do the Dolce and 642 compare to the neo?
Hi and welcome to the forum.
Rather than start another discussion on the Wessex Dolce might I suggest you read an excellent review on that horn. There are 10 pages worth of discussion here:
First Impressions of my new Wessex Dolce
...
Rick Floyd
Miraphone 5050 - Warburton BJ / RF mpc
YEP-641S (recently sold)
Doug Elliott - 102 rim; I-cup; I-9 shank
"Always play with a good tone, never louder than lovely, never softer than supported." - author unknown.
Symphonic Band of the Palm Beaches
El Cumbanchero (Raphael Hernandez, arr. Naohiro Iwai)
Chorale and Shaker Dance (John Zdechlik)
I must have missed it, but I don't see any reference to the 642 here at all, 321 yes. Anyone?
Is a 642 twice as good as a 321? Twice as expensive?
Jim Williams N9EJR (love 10 meter CW)
Formerly Principal Euphonium in a whole
bunch of groups, now just a schlub.
Shires Q41, Yamaha 321, 621 Baritone
Wick 4AL, Wessex 4Y, or whatever I grab.
Conn 50H trombone, Blue P-bone
www.soundcloud.com/jweuph
www.Wessex-Tubas.com
Customer Services & Chicago Showroom visits: Dolce@Wessex-Tubas.com
Shipping & UK Showroom visits: Coda@Wessex-Tubas.com
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