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  • ametropia
    Member
    • Dec 2018
    • 55

    SM4 Mouthpiece

    I have a SM4 mouthpiece that I'm using with my Besson euphonium. I really love the sound I get and it's easy to work with... except. High notes.

    I've been struggling to get used to the mouthpiece and find support for my upper register (not terribly high either, well-used notes like F and G above the staff)

    I threw in my old 6-1/2 AL just to see the difference and the high notes are pretty easily reached, but I hate the narrow/thin sound of the 6-1/2 overall, it lacks depth, not to mention the diameter of the rim just doesn't suit me.

    I'm trying to figure out, what does the 6-1/2 have that the SM4 doesn't regarding high notes? I tried to compare them on the mouthpiece chart but I feel like it really isn't helping me to narrow down the EXACT problem I'm having with the SM4.

    Can anyone help me out?

    I'm so weary of this mouthpiece safari, and don't even get me started on try-before-you-buy mouthpieces because this is Canada and we don't have that luxury. Instead, we have "buy-and-hope-you-can-return-it-without-significant-shipping-fees".
    "Thig crioch air an saoghal, ach mairidh gaol is ceòl."
    "The end (of the world) will come, but love and music live forever."

    Euph: Geneva Symphony (4v-comp, trig)
    Euph: Besson New Standard (3v-comp 1978)
    Bari: Wessex BR-140 (3v-comp, lacquer)
    Mpcs: Euph (SM4) Bari (Stork T1)
  • mbrooke
    Senior Member
    • Jan 2006
    • 401

    #2
    Originally posted by ametropia View Post
    I have a SM4 mouthpiece that I'm using with my Besson euphonium. I really love the sound I get and it's easy to work with... except. High notes.

    I've been struggling to get used to the mouthpiece and find support for my upper register (not terribly high either, well-used notes like F and G above the staff)

    I threw in my old 6-1/2 AL just to see the difference and the high notes are pretty easily reached, but I hate the narrow/thin sound of the 6-1/2 overall, it lacks depth, not to mention the diameter of the rim just doesn't suit me.

    I'm trying to figure out, what does the 6-1/2 have that the SM4 doesn't regarding high notes? I tried to compare them on the mouthpiece chart but I feel like it really isn't helping me to narrow down the EXACT problem I'm having with the SM4.

    Can anyone help me out?

    I'm so weary of this mouthpiece safari, and don't even get me started on try-before-you-buy mouthpieces because this is Canada and we don't have that luxury. Instead, we have "buy-and-hope-you-can-return-it-without-significant-shipping-fees".
    The rim diameter, cup depth, throat and backbore of the 6 1/2 AL are all significantly smaller than those of the SM4. That means that it way take awhile before you adjust. Take things slow and work in a range where you can produce a nice full sound and slowly build up from there.

    Mike

    Comment

    • davewerden
      Administrator
      • Nov 2005
      • 11136

      #3
      The 6-1/2 will give you an easier high range. I played one many years ago, but was not happy with the sound. There is no magic answer here. A larger mouthpiece will give you a better sound, but it will make the high range more difficult. My own quest took me to a Bach 5G for a few years - better sound, OK high range. Then I went to a Wick 4BL ("B" indicates a more shallow cup, which helps high range, but brightens the sound a bit). Finally I got comfortable with a 4AL.

      An SM4 can give you a solid high range, but you have to build the chops to get there. Try the exercises in the post below. Give it a month and see if your high notes start to get easier & more dependable:

      http://www.dwerden.com/forum/showthr...and-High-Range
      Dave Werden (ASCAP)
      Euphonium Soloist, U.S. Coast Guard Band, retired
      Adams Artist (Adams E3)
      Alliance Mouthpiece DC3, Wick 4AL, Wick 4ABL
      YouTube: dwerden
      Facebook: davewerden
      Twitter: davewerden
      Instagram: davewerdeneuphonium

      Comment

      • ametropia
        Member
        • Dec 2018
        • 55

        #4
        Thank you
        "Thig crioch air an saoghal, ach mairidh gaol is ceòl."
        "The end (of the world) will come, but love and music live forever."

        Euph: Geneva Symphony (4v-comp, trig)
        Euph: Besson New Standard (3v-comp 1978)
        Bari: Wessex BR-140 (3v-comp, lacquer)
        Mpcs: Euph (SM4) Bari (Stork T1)

        Comment

        • dsurkin
          Senior Member
          • Feb 2014
          • 526

          #5
          Originally posted by ametropia View Post
          I have a SM4 mouthpiece that I'm using with my Besson euphonium. I really love the sound I get and it's easy to work with... except. High notes.

          I've been struggling to get used to the mouthpiece and find support for my upper register (not terribly high either, well-used notes like F and G above the staff)

          I threw in my old 6-1/2 AL just to see the difference and the high notes are pretty easily reached, but I hate the narrow/thin sound of the 6-1/2 overall, it lacks depth, not to mention the diameter of the rim just doesn't suit me.[snip].
          Consider the Schilke 51D or the Bowman BB1 - slightly larger rim than the 6.5AL and significantly deeper cup.
          Dean L. Surkin
          Mack Brass MACK-EU1150S, BB1 mouthpiece
          Bach 36B trombone; Bach 6.5AL and Faxx 7C mouthpieces (pBone on loan to granddaughter)
          Steinway 1902 Model A, restored by AC Pianocraft in 1988; Kawai MP8, Yamaha KX-76
          See my avatar: Jazz (the black cockapoo; RIP) and Delilah (the cavapoo) keep me company while practicing

          Comment

          • TheJH
            Senior Member
            • Dec 2014
            • 339

            #6
            Since the second half of July I've slowly been changing from my 5AL and 4AL to an SM4 as well, and I have to say... so far, I really like it. It has a similar cup depth to my 5AL, so it's not like I'm blowing into a soup bowl like I had with the SM4U I tried, I like the rim because of the combination of width and profile (not quite as sharp as either the Classics or the Ultra, and the same width as a 4AL which is good for me), along with the 'thickness' (as in, the distance before the ledge starts from which the cup starts tapering down) which is much thinner compared to the rim of the Classic mouthpieces, which means it's slightly more responsive in a certain way.

            Overall I really like the feel of it, both physically on my face and how it plays - backpressure feels good in all registers while it also slightly opens the lower register, high register is still comparable to when I play with a Classic mpc, with the difference being that the notes center a little bit easier and are a bit easier to hold on to.

            I can't REALLY compare the sound yet because I've only practised with it in my bedroom which is... not the biggest xD. In a couple of weeks band rehearsals will start again so I can compare the sound of the SM4 to my 5AL. I've also only been able to practise like one to one and a half hour every week because work has been long and kicking my ass so stamina will come eventually, but so far I'm positive about it.
            Euphoniums
            2008 Willson 2960TA Celebration
            1979 Boosey & Hawkes Sovereign (Round Stamp)
            Mouthpiece: Denis Wick SM4
            Baritone
            1975 Besson New Standard
            Mouthpiece: Courtois 10

            Comment

            • cochranme
              Senior Member
              • Sep 2008
              • 292

              #7
              Hi ametropia, I sent you a private message.
              Martin Cochran
              Adams Performing Artist
              mceuph75@gmail.com

              Comment

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