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Yamaha (coated) valve springs

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  • DutchEupho
    Senior Member
    • Apr 2006
    • 231

    Yamaha (coated) valve springs

    Does anyone use Yamaha springs on their Adams euphonium? how do they fit? Don't like the Mead springs on my E3.

    Thanks for the info,
    Euphonium: Adams E3 Custom Series (SS Bell)
    Trombone: Benge 175F

  • bbocaner
    Senior Member
    • May 2009
    • 1449

    #2
    I tried them. They are a little bit too light, and I like light.
    --
    Barry

    Comment

    • DaveBj
      Senior Member
      • Oct 2011
      • 1064

      #3
      I had them in my "Schiller"; they have to be replaced frequently. After a couple years the plastic starts wearing off, and the little bits get caught between the valve and the wall and cause the valve to stick.
      David Bjornstad

      1923 Conn New Wonder 86I, Bach 6 1/2 AL
      2018 Wessex EP100 Dolce, Denis Wick 4ABL
      2013 Jinbao JBEP-1111L, Denis Wick 4AM
      2015 Jinbao JBBR-1240, Denis Wick clone mouthpiece of unknown designation
      Cullman (AL) Community Band (Euph Section Leader)
      Brass Band of Huntsville (2nd Bari)

      Comment

      • ghmerrill
        Senior Member
        • Dec 2011
        • 2382

        #4
        I really like them. I have them in my Mack Brass euph and they work much better for me there than the Steven Mead springs did (those are now living in my little 1924 Eb tuba). But on the other hand, I don't use those two horns much. I'm what horn you put them in also matters a lot. They're not expensive. I'd try them in the Adams, see how they work for you, and watch for the coating wear. My own view about such things is that for something like this, it's worth replacing them more often than you need to replace uncoated springs since the expense is minor and the benefit is high. But that's an individual choice. And like Barry says, they may just be a bit light in the Adams.
        Gary Merrill
        Wessex EEb Bass tuba (DW 3XL or 2XL)
        Mack Brass Compensating Euph (DE N106, Euph J, J9 euph)
        Amati Oval Euph (DE 104, Euph J, J6 euph)
        1924 Buescher 3-valve Eb tuba (with std US receiver), Kelly 25
        Schiller American Heritage 7B clone bass trombone (DE LB K/K10/112/14 Lexan, Brass Ark MV50R)
        1947 Olds "Standard" trombone (Olds #3)

        Comment

        • davewerden
          Administrator
          • Nov 2005
          • 11137

          #5
          I find the Yamaha springs too light, as mentioned above. And I find the standard Mead springs too heavy, mostly the first valve spring, which is longer than the others. So I bought 2 sets and used only the 2 & 3 valve springs (I use the normal Mead spring for the 4th valve in that valve)

          But try the Mead light springs. They are a good balance for most people. Check the photo below. This is an Adams with the light springs. I loosened the valve tops and let the pistons just rest on the spring. You can see how far they stick out. Compare to your other springs. The higher they stick out, the stiffer they will feel (approximately). This is what I used for that loaner yellow brass horn I used while my own was being repaired at the factory.

          Click image for larger version

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          Dave Werden (ASCAP)
          Euphonium Soloist, U.S. Coast Guard Band, retired
          Adams Artist (Adams E3)
          Alliance Mouthpiece DC3, Wick 4AL, Wick 4ABL
          YouTube: dwerden
          Facebook: davewerden
          Twitter: davewerden
          Instagram: davewerdeneuphonium

          Comment

          • ChristianeSparkle
            Senior Member
            • Jun 2018
            • 366

            #6
            Is it possible for anyone to take a measurement of their Yamaha springs?

            I was told by the technician in my country that there's only 1 Yamaha spring for both compensating and non compensating horns. I've used them on my Yamaha EP100 without issue, but they feel too light on a compensating horn, especially when the length seems to be rather short compared to the factory spring on my compensating horn. So I am curious if there's actually another set of Yamaha springs for compensating horns, or they really just use the same set of short sprints for both type of horns.

            The Yammy springs are almost 80% of the price of a set of Mead springs (including delivery) , so I am honestly tempted to try out the Mead springs.

            But first, wanted to check the length of the Yammy spring and see if it is indeed the same spring as the one I have on my student model.

            Thank you!
            "Never over complicate things. Accept "bad" days. Always enjoy yourself when playing, love the sound we can make on our instruments (because that's why we all started playing the Euph)"

            Euph: Yamaha 642II Neo - 千歌音
            Mouthpiece: K&G 4D, Denis Wick 5AL

            https://soundcloud.com/ashsparkle_chika
            https://www.youtube.com/user/AshTSparkle/

            Comment

            • RickF
              Moderator
              • Jan 2006
              • 3871

              #7
              Just measured some old Yammy springs I still have. They’re just under 2” in length. 50mm to be exact. I think your tech is correct in that all of the available springs by Yamaha for the euph are the same. The valve of a compensating horn are longer thus heavier so you may see the valve bounce on the up stroke.
              Rick Floyd
              Miraphone 5050 - Warburton BJ / RF mpc

              "Always play with a good tone, never louder than lovely, never softer than supported." - author unknown.
              Symphonic Band of the Palm Beaches

              El Cumbanchero (Raphael Hernandez, arr. Naohiro Iwai)
              The Cowboys (John Williams, arr. James Curnow)
              Festive Overture (Dmitri Shostakovich)
              ​

              Comment

              • ChristianeSparkle
                Senior Member
                • Jun 2018
                • 366

                #8
                Thank you, sir! Seems like they are the same! How odd. Heard how people like using Yammy springs on compensating horns but they just feel too light on mine.
                "Never over complicate things. Accept "bad" days. Always enjoy yourself when playing, love the sound we can make on our instruments (because that's why we all started playing the Euph)"

                Euph: Yamaha 642II Neo - 千歌音
                Mouthpiece: K&G 4D, Denis Wick 5AL

                https://soundcloud.com/ashsparkle_chika
                https://www.youtube.com/user/AshTSparkle/

                Comment

                • davewerden
                  Administrator
                  • Nov 2005
                  • 11137

                  #9
                  Originally posted by ChristianeSparkle View Post
                  Thank you, sir! Seems like they are the same! How odd. Heard how people like using Yammy springs on compensating horns but they just feel too light on mine.
                  I tried them for a while in one horn, either my Sterling or my Adams (my 2007 Sterling used the same valve set as Adams). I had to stretch them a bit for my taste. But that can be tricky to do correctly, because you have to make sure the top and bottom remain perpendicular to the length of the spring.
                  Dave Werden (ASCAP)
                  Euphonium Soloist, U.S. Coast Guard Band, retired
                  Adams Artist (Adams E3)
                  Alliance Mouthpiece DC3, Wick 4AL, Wick 4ABL
                  YouTube: dwerden
                  Facebook: davewerden
                  Twitter: davewerden
                  Instagram: davewerdeneuphonium

                  Comment

                  • ghmerrill
                    Senior Member
                    • Dec 2011
                    • 2382

                    #10
                    Maybe they work well in Yamaha horns and clones thereof, but perhaps not in at least some other designs? I have them in my Mack Brass Yamaha clone and don't think they're too light. I don't like light springs. And I don't like springs that are too heavy either. I follow the leadership fo Goldilocks on things like this and require them to be "just enough".
                    Gary Merrill
                    Wessex EEb Bass tuba (DW 3XL or 2XL)
                    Mack Brass Compensating Euph (DE N106, Euph J, J9 euph)
                    Amati Oval Euph (DE 104, Euph J, J6 euph)
                    1924 Buescher 3-valve Eb tuba (with std US receiver), Kelly 25
                    Schiller American Heritage 7B clone bass trombone (DE LB K/K10/112/14 Lexan, Brass Ark MV50R)
                    1947 Olds "Standard" trombone (Olds #3)

                    Comment

                    • bbocaner
                      Senior Member
                      • May 2009
                      • 1449

                      #11
                      Right. Different instruments have different amounts of space between the bottom of the piston and the bottom cap. Yamaha springs are fairly light in Yamaha instruments, but if your instrument is designed for a longer spring, the Yamaha springs are going to be bordering on unusable.
                      --
                      Barry

                      Comment

                      • John the Theologian
                        Senior Member
                        • Apr 2013
                        • 245

                        #12
                        They work well in my Mack Brass, but I've had to put a couple of sets in since I bought the horn because, as mentioned above, the plastic eventually comes off. They're cheap though, and my local music store always has them in stock.

                        Comment

                        • ChristianeSparkle
                          Senior Member
                          • Jun 2018
                          • 366

                          #13
                          That makes sense I guess, Yamaha and stencils based on them would work with the Yamaha springs.

                          Guess I will have to stick with longer springs.
                          "Never over complicate things. Accept "bad" days. Always enjoy yourself when playing, love the sound we can make on our instruments (because that's why we all started playing the Euph)"

                          Euph: Yamaha 642II Neo - 千歌音
                          Mouthpiece: K&G 4D, Denis Wick 5AL

                          https://soundcloud.com/ashsparkle_chika
                          https://www.youtube.com/user/AshTSparkle/

                          Comment

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