Sponsor Banner

Collapse

Cheap Euphonium - Besson clone or Yamaha clone?

Collapse
X
 
  • Filter
  • Time
  • Show
Clear All
new posts
  • kennethli
    Junior Member
    • Jun 2018
    • 5

    Cheap Euphonium - Besson clone or Yamaha clone?

    Hi everyone, my name is Kenneth. I come from Hong Kong. This is my first post and is my pleasure to share my observation and research on cheap horns. Sorry for my English, but I will try my best to explain.

    Recently I am thinking of buying a new cheap euphonium to practice at home (my main instrument is Yamaha 642Neo. I store and use it in my church. Since I don’t have a car so it is painful to carry the horn between two places). So I started web surfing and did some research on the cheap euphoniums.

    I observed one of the main discussion is that whether the euphonium is a Besson clone or Yamaha clone. I was curious and eager to find out what is the difference between Besson and Yamaha. My finding is that the most distinction is at the back, the compensating tube of the 1st and 2nd piston.

    As you can see below, the tubes of Besson, both 967 and 2052, are oblique; and the tubes of Yamaha, both 642Neo and 842 are vertical.

    Click image for larger version

Name:	Besson 967.jpg
Views:	1
Size:	95.7 KB
ID:	124539Click image for larger version

Name:	Besson 2052.jpg
Views:	1
Size:	210.8 KB
ID:	124540 <-967 and 2052

    Click image for larger version

Name:	Yamaha 642TS.jpg
Views:	1
Size:	70.1 KB
ID:	124541Click image for larger version

Name:	Yamaha 842.jpg
Views:	1
Size:	240.4 KB
ID:	124542 <-642Neo and 842


    The positions of the tubes are so different, needless to say, the pistons are different too. It proves that they are different tubing designs. Therefore, I think this is the easiest way to distinguish the “clones”.

    Here is my analysis:

    Wessex dolce: Vertical tubes – Yamaha design
    Click image for larger version

Name:	wessex dolce.jpg
Views:	1
Size:	137.3 KB
ID:	124543

    Mark Brass EU1150S: Vertical tubes – Yamaha design
    Click image for larger version

Name:	MACK-EU1150S.jpg
Views:	1
Size:	161.8 KB
ID:	124544

    Thomann 804GP: Vertical tubes – Yamaha design
    Click image for larger version

Name:	Thomann 804GP.jpg
Views:	1
Size:	46.1 KB
ID:	124545

    JP274: oblique tubes – Besson design
    Click image for larger version

Name:	JP274.jpg
Views:	1
Size:	341.3 KB
ID:	124546

    JP374: oblique tubes – Besson design
    Click image for larger version

Name:	JP374.jpg
Views:	1
Size:	185.4 KB
ID:	124547

    Thomann 902: oblique tubes – Besson design
    Click image for larger version

Name:	Thomann 902.jpg
Views:	1
Size:	48.4 KB
ID:	124548

    Thomann 906GP: oblique tubes – Besson design
    Click image for larger version

Name:	Thomann 906GP.jpg
Views:	1
Size:	53.0 KB
ID:	124549

    Schiller Elite IV: oblique tubes – Besson design
    Click image for larger version

Name:	Schiller Elite IV.jpg
Views:	1
Size:	159.4 KB
ID:	124550

    Schiller Elite V: oblique tubes – Besson design
    Click image for larger version

Name:	Schiller Elite V.jpg
Views:	1
Size:	17.3 KB
ID:	124551

    I understand they all sound different, but if they are the clones of Besson or Yamaha, by the design of tubing, this is the result.

    I am quite surprised that with the same tubing design, some horns sound apparently different. According to “Matonizz: JP274s vs Schiller Elite. Best CHEAP Brass Instruments” https://www.youtube.com/watch?v=e-OSpMLgN5o , although the JP274 and Schiller Elite are both on the Besson side, they just sound so different. At first, I thought Schiller Elite is a Yamaha clone, but I was wrong.

    I believe that not only the tubing design affect the sound, but also the materials, bell size, thickness, bore size, leadpipe and other many factors that can affect the sound finally come out from the horn. And different factories have different bracing materials and technique too.

    To conclude, we cannot choose a cheap euphonium only by the brand (Thomann has clones of both) and the design. An euphonium is a mixture of every parts and the design. But generally, we can distinguish a cheap euphonium by the tubing design at the back.

    At last, these are my Youtube https://www.youtube.com/watch?v=vjq1NI5kUkE and https://www.youtube.com/watch?v=BTTc43SXSmY. Feel happy to share with you. Thank you.
    Last edited by kennethli; 06-27-2018, 12:27 AM.
    Yamaha 642S Neo
    Romera brass PEPE signature MPC
  • davewerden
    Administrator
    • Nov 2005
    • 11137

    #2
    Welcome to the forum! That's a great comparison and it answers some questions that come up often.

    I have a student with a Schiller Elite V, and it does feel like a Besson 967 in many ways. Its sound is also similar.
    Dave Werden (ASCAP)
    Euphonium Soloist, U.S. Coast Guard Band, retired
    Adams Artist (Adams E3)
    Alliance Mouthpiece DC3, Wick 4AL, Wick 4ABL
    YouTube: dwerden
    Facebook: davewerden
    Twitter: davewerden
    Instagram: davewerdeneuphonium

    Comment

    • kennethli
      Junior Member
      • Jun 2018
      • 5

      #3
      Thank you for your appreciation!

      There are two more hints that we can find out what design it is:

      1. Besson design has a slightly bend near the bottom cap of the first valve , while Yamaha is straight at the same place.
      2. The fourth valve of Besson is longer than Yamaha.

      Click image for larger version

Name:	IMG_0001.JPG
Views:	1
Size:	213.9 KB
ID:	117328
      Last edited by kennethli; 06-26-2018, 10:55 AM.
      Yamaha 642S Neo
      Romera brass PEPE signature MPC

      Comment

      • ChristianeSparkle
        Senior Member
        • Jun 2018
        • 366

        #4
        Thank you for sharing the comparison, it's an interesting read. I have yet to play enough brands to know the difference, but it's interesting knowledge still.

        And hey we are neighbours! I am from Malaysia.

        Also, I am jealous of your Yamaha Neo!

        Checked out your Youtube and loved both the pieces you played! I've been messing around with the Sound! Euphonium etude, but not the Flow of Fate. Going to try and figure out the notes for Flow of Fate
        "Never over complicate things. Accept "bad" days. Always enjoy yourself when playing, love the sound we can make on our instruments (because that's why we all started playing the Euph)"

        Euph: Yamaha 642II Neo - 千歌音
        Mouthpiece: K&G 4D, Denis Wick 5AL

        https://soundcloud.com/ashsparkle_chika
        https://www.youtube.com/user/AshTSparkle/

        Comment

        • kennethli
          Junior Member
          • Jun 2018
          • 5

          #5
          Originally posted by ChristianeSparkle View Post
          Thank you for sharing the comparison, it's an interesting read. I have yet to play enough brands to know the difference, but it's interesting knowledge still.

          And hey we are neighbours! I am from Malaysia.

          Also, I am jealous of your Yamaha Neo!

          Checked out your Youtube and loved both the pieces you played! I've been messing around with the Sound! Euphonium etude, but not the Flow of Fate. Going to try and figure out the notes for Flow of Fate

          I wrote the sheet music by myself. But unfortunately, I lost both of them.

          If you really want the score, I can write it again for you.

          What kind of clef do you read? Treble or bass? PM me and I will help you.
          Last edited by kennethli; 06-27-2018, 02:56 AM.
          Yamaha 642S Neo
          Romera brass PEPE signature MPC

          Comment

          • Himura
            Junior Member
            • May 2017
            • 29

            #6
            Originally posted by ChristianeSparkle View Post
            Thank you for sharing the comparison, it's an interesting read. I have yet to play enough brands to know the difference, but it's interesting knowledge still.

            And hey we are neighbours! I am from Malaysia.

            Also, I am jealous of your Yamaha Neo!

            Checked out your Youtube and loved both the pieces you played! I've been messing around with the Sound! Euphonium etude, but not the Flow of Fate. Going to try and figure out the notes for Flow of Fate
            I know kenneth already asked, but treble or bass? I've got a transcribed copy of Sound! Euphonium as in the show, but it's bass clef. I've also got an expanded version for a solo with band, if you'd like.
            Whatever you lose, you'll find it again. What you throw away, you'll never get back.

            -- Kenshin Himura




            1974 B & H Imperial / Bach 3G -- no LTE mouthpieces for me!

            Comment

            • ChristianeSparkle
              Senior Member
              • Jun 2018
              • 366

              #7
              Originally posted by kennethli View Post
              I wrote the sheet music by myself. But unfortunately, I lost both of them.

              If you really want the score, I can write it again for you.

              What kind of clef do you read? Treble or bass? PM me and I will help you.
              Thanks for the offer! Managed to transcribe it by listening to your playing and looking at the piano arrangements. I was listening to your playing the whole day! Haha It's beginning to be one of my favourite piece. Just tried it this morning and I think I got them all down correctly.

              And thanks Himura!


              Back to the topic, I tried a Besson 3 valve Eupho a decade + ago, and I have to say, I honestly did not pay attention to the difference in tone compared to the Yamaha model I've been using all these while. Guess I was too young to appreciate the difference or notice it. I remembered it was a joy to play on that instrument, and that's about it.


              Good to know that Wessex is based on Yamaha design though! Hoping to upgrade to that one day! My Yamaha student model has served me well for years, but the lack of a 4th valve and compensating tubes does kinda sucks.
              "Never over complicate things. Accept "bad" days. Always enjoy yourself when playing, love the sound we can make on our instruments (because that's why we all started playing the Euph)"

              Euph: Yamaha 642II Neo - 千歌音
              Mouthpiece: K&G 4D, Denis Wick 5AL

              https://soundcloud.com/ashsparkle_chika
              https://www.youtube.com/user/AshTSparkle/

              Comment

              • John Morgan
                Moderator
                • Apr 2014
                • 1885

                #8
                Originally posted by ChristianeSparkle View Post
                …..Good to know that Wessex is based on Yamaha design though! Hoping to upgrade to that one day! My Yamaha student model has served me well for years, but the lack of a 4th valve and compensating tubes does kinda sucks.
                I'm hearing a new motto for Wessex Euphoniums. "Upgrade to a Wessex Dolce, 4-valve, compensating euphonium and suck no more!" Jonathan might not agree, but I think it is kind of catchy.
                John Morgan
                The U.S. Army Band (Pershing's Own) 1971-1976
                Adams E3 Custom Series Euphonium, 1956 B&H Imperial Euphonium,
                1973 F. E. Olds & Son Studio Model T-31 Baritone
                Adams TB1 Tenor Trombone, Yamaha YBL-822G Bass Trombone
                Year Round Except Summer:
                Kingdom of the Sun (KOS) Concert Band, Ocala, FL (Euphonium)
                KOS Brass Quintet (Trombone, Euphonium)
                Summer Only:
                Rapid City Municipal Band, Rapid City, SD (Euphonium)
                Rapid City New Horizons Band (Euphonium)

                Comment

                • ChristianeSparkle
                  Senior Member
                  • Jun 2018
                  • 366

                  #9
                  Originally posted by John Morgan View Post
                  I'm hearing a new motto for Wessex Euphoniums. "Upgrade to a Wessex Dolce, 4-valve, compensating euphonium and suck no more!" Jonathan might not agree, but I think it is kind of catchy.

                  Think I can get a discount for that motto?
                  "Never over complicate things. Accept "bad" days. Always enjoy yourself when playing, love the sound we can make on our instruments (because that's why we all started playing the Euph)"

                  Euph: Yamaha 642II Neo - 千歌音
                  Mouthpiece: K&G 4D, Denis Wick 5AL

                  https://soundcloud.com/ashsparkle_chika
                  https://www.youtube.com/user/AshTSparkle/

                  Comment

                  • DaveBj
                    Senior Member
                    • Oct 2011
                    • 1064

                    #10
                    Originally posted by John Morgan View Post
                    I'm hearing a new motto for Wessex Euphoniums. "Upgrade to a Wessex Dolce, 4-valve, compensating euphonium and suck no more!" Jonathan might not agree, but I think it is kind of catchy.
                    Even as I type this, I'm watching out the front window for the FedEx truck
                    David Bjornstad

                    1923 Conn New Wonder 86I, Bach 6 1/2 AL
                    2018 Wessex EP100 Dolce, Denis Wick 4ABL
                    2013 Jinbao JBEP-1111L, Denis Wick 4AM
                    2015 Jinbao JBBR-1240, Denis Wick clone mouthpiece of unknown designation
                    Cullman (AL) Community Band (Euph Section Leader)
                    Brass Band of Huntsville (2nd Bari)

                    Comment

                    • Jonathantuba
                      Senior Member
                      • Apr 2013
                      • 296

                      #11
                      Originally posted by John Morgan View Post
                      I'm hearing a new motto for Wessex Euphoniums. "Upgrade to a Wessex Dolce, 4-valve, compensating euphonium and suck no more!" Jonathan might not agree, but I think it is kind of catchy.
                      It brings a smile to my face, but not sure if I will actually use

                      As far as different sounds, the biggest determining factor is the bell. The tubing design affects how freely the horn plays and intonation, but not so much the tone.
                      www.Wessex-Tubas.com
                      Customer Services & Chicago Showroom visits: Dolce@Wessex-Tubas.com
                      Shipping & UK Showroom visits: Coda@Wessex-Tubas.com

                      Visit our Facebook page

                      Comment

                      • kennethli
                        Junior Member
                        • Jun 2018
                        • 5

                        #12
                        Originally posted by Jonathantuba View Post
                        It brings a smile to my face, but not sure if I will actually use

                        As far as different sounds, the biggest determining factor is the bell. The tubing design affects how freely the horn plays and intonation, but not so much the tone.
                        Good motto! haha

                        Thanks, Jonathan. And thanks to the internet that brings me to interact with great musicians and instrument builders.

                        I would agree that the biggest determining factor of different sounds is the bell. But obviously, bells with similar diameter, let say Besson 968 and Willson 2900 are both 11", sound quite different.

                        So can you tell us about the secret of the bell? What are the factors that make the bell affecting the sound? What is the physic behind? And what is the characteristic of the Wessex euphonium bell?
                        Yamaha 642S Neo
                        Romera brass PEPE signature MPC

                        Comment

                        Working...
                        X