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"Old" Wick 4AL vs. "New" Wick 4AL

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  • graeme
    Member
    • Jun 2009
    • 146

    #16
    Originally posted by daruby View Post
    Hi all,

    I have used a Denis Wick 4AL for at least 35 years as my "every day" mouthpiece. My first Wick 4AL (which I still have) came with my 1980 "Boosey & Hawkes" Sovereign (Round Stamp). Of late, I have been playing one or the other of two that I purchased within the last 6 years. The 37 year old 4AL is a very different mouthpiece than the modern version of the same. I was asked by another forum member what the differences are between the two and so I took some pictures.

    Side by Side: Not a lot of difference in this view. As far as the labeling, the new one says DENIS WICK.LONDON while the older says DENIS WICK.LONDON (notice the period in a different location). The "4AL" is a smaller character size on the older mouthpiece.

    [ATTACH=CONFIG]4943[/ATTACH]

    Rim Size:

    These are both 26mm rims and feel pretty close to the same size, but notice the rim depth difference. The new 4AL has a much deeper lip around the rim.

    [ATTACH=CONFIG]4944[/ATTACH]

    Cup Depth

    I tried the old "quarter in the cup" test and find a significant difference. I believe that the two mouthpieces have the same cup shape relative to the throat of the mouthpiece, but the thicker lip on the new mouthpiece extends the effective cup depth. As you can see, the quarter sticks up more out of the cup on the old mouthpiece.

    [ATTACH=CONFIG]4945[/ATTACH][ATTACH=CONFIG]4946[/ATTACH]

    Feel

    The shallower effective depth on the old mouthpiece and a slightly sharper edge to the rim of the mouthpiece makes it feel a little more brittle and somewhat less "pillowy" in sound. Articulation is a bit easier, though and slotting might be just a bit better. Also, while I rarely notice any fuzz when playing any Wick mouthpiece, the old mouthpiece definitely has no trace. The new mouthpiece feels softer and the sound is a bit more to my preference. I have to work just a bit harder with it, but it doesn't cut into the lips as much when I get tired and use too much pressure.

    That's it,

    Doug
    So now we have the quarter in the cup test for depth, has anyone devised a test for comparing inner rim sharpness ?

    Comment

    • Charju
      Junior Member
      • Mar 2017
      • 20

      #17
      "Articulation is a bit easier, though and slotting might be just a bit better."

      Just wondering, what is "slotting"?
      Thanks
      Charlie Graci
      Mack Brass 1150S; Bach 5 clone, Schilke 51d
      1970 Sigma 6 string acoustic (Martin clone)

      Comment

      • highpitch
        Senior Member
        • Mar 2006
        • 1034

        #18
        Playing a note very close to proper pitch, first time, every time.

        Some horns do it well, others have a couple notes that need 'work' to play true.

        DDG

        Comment

        • davewerden
          Administrator
          • Nov 2005
          • 11137

          #19
          SLOTTING: open you horn's main water key and play a few notes. That's what bad slotting feels like!
          Dave Werden (ASCAP)
          Euphonium Soloist, U.S. Coast Guard Band, retired
          Adams Artist (Adams E3)
          Alliance Mouthpiece DC3, Wick 4AL, Wick 4ABL
          YouTube: dwerden
          Facebook: davewerden
          Twitter: davewerden
          Instagram: davewerdeneuphonium

          Comment

          • highpitch
            Senior Member
            • Mar 2006
            • 1034

            #20
            Ha!

            DG

            Comment

            • davewerden
              Administrator
              • Nov 2005
              • 11137

              #21
              Originally posted by graeme View Post
              So now we have the quarter in the cup test for depth, has anyone devised a test for comparing inner rim sharpness ?
              The quarter test on euphonium mouthpieces is really a test of cup width, not depth so much. With our common sizes, the quarter hits the side long before it would hit the bottom.

              As far as inner rim sharpness, there are a lot of factors that affect how the rim feels, and the apparent sharpness of a particular rim may be caused by other things. Check out this page:

              http://www.grmouthpieces.com/rim.html

              In his lexicon you are talking about the "bite" of the mouthpiece.
              Dave Werden (ASCAP)
              Euphonium Soloist, U.S. Coast Guard Band, retired
              Adams Artist (Adams E3)
              Alliance Mouthpiece DC3, Wick 4AL, Wick 4ABL
              YouTube: dwerden
              Facebook: davewerden
              Twitter: davewerden
              Instagram: davewerdeneuphonium

              Comment

              • davewerden
                Administrator
                • Nov 2005
                • 11137

                #22
                Here is a full view of a mouthpiece with some terms defined:
                Attached Files
                Dave Werden (ASCAP)
                Euphonium Soloist, U.S. Coast Guard Band, retired
                Adams Artist (Adams E3)
                Alliance Mouthpiece DC3, Wick 4AL, Wick 4ABL
                YouTube: dwerden
                Facebook: davewerden
                Twitter: davewerden
                Instagram: davewerdeneuphonium

                Comment

                • graeme
                  Member
                  • Jun 2009
                  • 146

                  #23
                  Originally posted by davewerden View Post
                  The quarter test on euphonium mouthpieces is really a test of cup width, not depth so much. With our common sizes, the quarter hits the side long before it would hit the bottom.

                  As far as inner rim sharpness, there are a lot of factors that affect how the rim feels, and the apparent sharpness of a particular rim may be caused by other things. Check out this page:

                  http://www.grmouthpieces.com/rim.html

                  In his lexicon you are talking about the "bite" of the mouthpiece.
                  Thanks for the link

                  Comment

                  • DutchEupho
                    Senior Member
                    • Apr 2006
                    • 231

                    #24
                    Hi Doug,

                    Have you tried weighing them? I seem to recall that the older 4AL's have more weight.
                    Euphonium: Adams E3 Custom Series (SS Bell)
                    Trombone: Benge 175F

                    Comment

                    • daruby
                      Moderator
                      • Apr 2006
                      • 2217

                      #25
                      Originally posted by DutchEupho View Post
                      Hi Doug,

                      Have you tried weighing them? I seem to recall that the older 4AL's have more weight.
                      I have not, but I can guarantee the old one is lighter due to its thinner rim. All other dimensions appearing to be the same.
                      Adams E3 0.60 Sterling bell - Prototype top sprung valves
                      Concord Band
                      Winchendon Winds
                      Townsend Military Band

                      Comment

                      • Simes
                        Member
                        • May 2016
                        • 111

                        #26
                        This is most curious as I’d always preferred the old 4ALs - I find the new ones too bright sounding. I have about 5 of them, and when picking my Globe Sovereign specified the oldest 4AL the seller had. I don’t use it all the time, but wanted it for marching because my everyday mouthpiece is irreplaceable, and I couldn’t face the thought of damaging it through clumsiness.
                        1983 Boosey & Hawkes Sovereign
                        Denis Wick SM4 (original series)

                        Comment

                        • DutchEupho
                          Senior Member
                          • Apr 2006
                          • 231

                          #27
                          Hi Doug,

                          I've compared a "old" 4AL with a "new" 4AL to and noticed that the old one goes in to my receiver a lot further. It's a difference of approx 3mm. This gives a totally different feel if I don't adjust the AGR settings on my E3.
                          The "old" 4AL gives a far more open sound then the newer one.
                          Euphonium: Adams E3 Custom Series (SS Bell)
                          Trombone: Benge 175F

                          Comment

                          • tbonesullivan
                            Senior Member
                            • Jul 2019
                            • 155

                            #28
                            Aren't the current production all CNC lathe made? They should be extremely consistent now, while back in the "old days" when the template, scoop, or drill bit got worn, the specs would change a bit.

                            Still, looking back at the beginning of the thread, that's a pretty big difference. I wonder if they rearranged the sizing somehow.
                            Sterling / Perantucci 1065HGS Euphonium, 1952 B&H Imperial Eb Tuba, and a bunch of trombones.

                            Comment

                            • steff2032
                              Junior Member
                              • Feb 2022
                              • 3

                              #29
                              Maybe back in the days, they did'nt take into account that the cutting tools wore out?
                              Today its All done by computer, so everything is the same.

                              Comment

                              • davewerden
                                Administrator
                                • Nov 2005
                                • 11137

                                #30
                                Originally posted by steff2032 View Post
                                Maybe back in the days, they did'nt take into account that the cutting tools wore out?
                                Today its All done by computer, so everything is the same.
                                That's an interesting thought. But I wonder about the mechanical parts. The computer tells the machinery what do, but something mechanical has to do the carving (until we start using lasers, I suppose). Can the computer adjust as the cutting tools start to wear, as they surely must. I confess I am not very familiar with the in's and out's of the process, so maybe they have somehow been able to allow for all mechanical factors.
                                Dave Werden (ASCAP)
                                Euphonium Soloist, U.S. Coast Guard Band, retired
                                Adams Artist (Adams E3)
                                Alliance Mouthpiece DC3, Wick 4AL, Wick 4ABL
                                YouTube: dwerden
                                Facebook: davewerden
                                Twitter: davewerden
                                Instagram: davewerdeneuphonium

                                Comment

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