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  • davewerden
    Administrator
    • Nov 2005
    • 11138

    True Story - But also a Good Joke

    This question was recently posted on the Facebook "Horn People" group:

    I have a conductor who is insisting that our section not spin our horns at all to empty water during our upcoming concerts. He doesn't like the way it looks. Wondering if anyone knows where I can find the anecdote about Phil Farkas and the Chicago concert where he and his section did not empty their water? I've tried using the search feature and have not been successful.
    Thanks!

    And here is the answer someone provided:

    Philip Farkas relates in either an interview or his book "The Art of French Horn Playing" how in his younger days in Chicago, Reiner came to him and told him that a wealthy woman who was a great financial backer of the CSO accosted him (Reiner) at a cocktail party and expressed great disgust at how the french horns were always draining their horns right there on the stage in public! So Reiner told Farkas not to do that anymore and to tell the whole horn section.

    During the concert, it came time for a horn solo (I don't recall the work or even if it was mentioned in the article) and all that came out of the horn was gurgles and belches. In the intermission, a livid Reiner confronted Farkas. "How could you play so horribly? You've never sounded that!" Farkas said "I just flipped over my horn and all that built up water poured out onto Reiner's shoe. No mention was ever made again about us not emptying our horns on stage."
    Dave Werden (ASCAP)
    Euphonium Soloist, U.S. Coast Guard Band, retired
    Adams Artist (Adams E3)
    Alliance Mouthpiece DC3, Wick 4AL, Wick 4ABL
    YouTube: dwerden
    Facebook: davewerden
    Twitter: davewerden
    Instagram: davewerdeneuphonium
  • DaveBj
    Senior Member
    • Oct 2011
    • 1064

    #2
    David Bjornstad

    1923 Conn New Wonder 86I, Bach 6 1/2 AL
    2018 Wessex EP100 Dolce, Denis Wick 4ABL
    2013 Jinbao JBEP-1111L, Denis Wick 4AM
    2015 Jinbao JBBR-1240, Denis Wick clone mouthpiece of unknown designation
    Cullman (AL) Community Band (Euph Section Leader)
    Brass Band of Huntsville (2nd Bari)

    Comment

    • highpitch
      Senior Member
      • Mar 2006
      • 1034

      #3
      Just think of a brass section as a rain forest...

      DG

      Comment

      • ghmerrill
        Senior Member
        • Dec 2011
        • 2384

        #4
        If you own a rotary tuba, then every once in a while -- even during a concert -- you may need to spin it. This puts the horn spin into the proper perspective.
        Gary Merrill
        Wessex EEb Bass tuba (DW 3XL or 2XL)
        Mack Brass Compensating Euph (DE N106, Euph J, J9 euph)
        Amati Oval Euph (DE 104, Euph J, J6 euph)
        1924 Buescher 3-valve Eb tuba (with std US receiver), Kelly 25
        Schiller American Heritage 7B clone bass trombone (DE LB K/K10/112/14 Lexan, Brass Ark MV50R)
        1947 Olds "Standard" trombone (Olds #3)

        Comment

        • daniel76309
          Senior Member
          • Oct 2012
          • 376

          #5
          My solution is that I use a folded towel to support my horn while playing, and the water also goes on the towel. In my opinion, everyone should do this--dumping it on the floor is nasty. Granted, sometimes it is unavoidable, but most of the time it isn't.

          Comment

          • LargoBone
            Member
            • Jun 2016
            • 86

            #6
            What's so nasty about it? It's 95% water and any spit mixed in is really diluted.
            1905 Boosey Class A Euphonium-Wick SM4M
            Yamaha 301M Marching Baritone-Schilke 52
            1960 Conn 11J-Conn Helleberg
            1961 Conn 14J-Vincent DFL
            2015 King 2341-Bach Corp. 24AW
            Olds O95 Sousaphone-King 26

            Comment

            • davewerden
              Administrator
              • Nov 2005
              • 11138

              #7
              Two things to keep in mind about this anecdote. First, when a wealthy patron of the arts, who is helping pay your salary and keep your ensemble alive, makes a complaint, it does tend to get at least some kind of reaction. But the issue is the physical display of turning the horn around to get the water to drop out. She did not complain about the trumpets, trombones, and tuba who undoubtedly had to empty spit valves. French horns are never (in my experience) made with enough water keys to do that - it would be a copious number of keys! In the Coast Guard our players sometimes had to play "gigs" for the Cadet Musical Activities presentations or shows. In one such, the choir director for the cadets yelled at our horns for the same thing.

              That's one of the reasons I like having a water key on the 2nd valve. Pulling and dumping that one (even without spinning the instrument!) is more noticeable to the audience than just emptying a water key. That was pointed out to me by one of the CG Band's woodwind players who was sitting in the audience area during a rehearsal of a solo I was doing. Of course, we all take it for granted and don't notice it when we see other players pulling/dumping, but our hope is that our future holds performances in front of audience who are not just composed of brass players. Just as you might shine your horn, put on nice clothes, etc. to present a solo, you should also consider how this aspect affects the audience.
              Dave Werden (ASCAP)
              Euphonium Soloist, U.S. Coast Guard Band, retired
              Adams Artist (Adams E3)
              Alliance Mouthpiece DC3, Wick 4AL, Wick 4ABL
              YouTube: dwerden
              Facebook: davewerden
              Twitter: davewerden
              Instagram: davewerdeneuphonium

              Comment

              • daniel76309
                Senior Member
                • Oct 2012
                • 376

                #8
                Originally posted by LargoBone View Post
                What's so nasty about it? It's 95% water and any spit mixed in is really diluted.
                So it is liking spitting on the floor but only a little? I agree it is mostly water...carrying with it saliva, bacteria (from your oral cavity plus whatever cultures are growing in your horn), oil, etc. I just think it is crude and rude to dump it on the floor.

                Comment

                • daniel76309
                  Senior Member
                  • Oct 2012
                  • 376

                  #9
                  Originally posted by davewerden View Post
                  That's one of the reasons I like having a water key on the 2nd valve.
                  Dave I agree with your comments about "appearances" also. I appreciate you mentioning some time ago about the 2nd valve water key. I took your lead and had one made for my horn also and find it VERY useful--a lot of water seems to collect there.

                  Comment

                  • iiipopes
                    Senior Member
                    • Feb 2016
                    • 347

                    #10
                    A black hand towel on the floor between your feet? Works for me.

                    Comment

                    • daniel76309
                      Senior Member
                      • Oct 2012
                      • 376

                      #11
                      Originally posted by iiipopes View Post
                      A black hand towel on the floor between your feet? Works for me.
                      I have a folded up bath-sized towel on my lap. It holds the horn up at the proper level for posture and I also use it to catch the water.

                      Comment

                      • LargoBone
                        Member
                        • Jun 2016
                        • 86

                        #12
                        Maybe I wasn't clear, I agree that patrons should be given strong consideration when they make a suggestion, even if you don't agree. I also agree that it can look a bit strange from the audience's perspective, however as someone who's done it all too many times themselves, it doesn't bother me in the slightest. I was simply reacting to Daniel's comment about it being "nasty" to dump it on the floor. I take no issue with it but I guess if it bothers you use a small towel or if you're leading a group, ask brass players to bring a small towel.
                        1905 Boosey Class A Euphonium-Wick SM4M
                        Yamaha 301M Marching Baritone-Schilke 52
                        1960 Conn 11J-Conn Helleberg
                        1961 Conn 14J-Vincent DFL
                        2015 King 2341-Bach Corp. 24AW
                        Olds O95 Sousaphone-King 26

                        Comment

                        • ghmerrill
                          Senior Member
                          • Dec 2011
                          • 2384

                          #13
                          I ALWAYS have a small (dish? hand?) towel with me in my equipment bag. I get them in places like Dollar Tree, Dollar General, Dollar Whatever, ... Some sort of terrycloth works best in terms of absorbing the drainage. Neutral colors (or black) work best in terms of not being noticed. I'm not swayed by that portion of the population which is so concerned about the hygenic issues. First, these are unavoidable. Second, what comes out of the instrument is (as others have pointed out) CONDENSATE -- i.e., condensed water vapor. I think that all the aversion and distaste that many (non-players, woodwind players, et al.) have comes largely from the historical mis-description of "spit valves".

                          If you're practicing in a school band room (as does one band I'm in), it really doesn't matter to anyone. If you practice on an auditorium stage (as in another band), then you have to realize that SOMEONE has to clean up whatever you dump on the stage surface. Regular cleanup crews are not enthusiastic about cleaning up what they (mistakenly or otherwise) regard as "spit". Maintaining good relations with one's hosts requires at least a modicum of consideration. It's really that simple.

                          As far as horns go, people should realize that there are consequences to not spinning and dumping. It's hard to beat the laws of physics. However, there is a range of technique involved in this that goes from "subdued or moderate" to "outrageous and ostentatious". In general, one should not perform an Olympic class horn spin in the context of a performance.
                          Gary Merrill
                          Wessex EEb Bass tuba (DW 3XL or 2XL)
                          Mack Brass Compensating Euph (DE N106, Euph J, J9 euph)
                          Amati Oval Euph (DE 104, Euph J, J6 euph)
                          1924 Buescher 3-valve Eb tuba (with std US receiver), Kelly 25
                          Schiller American Heritage 7B clone bass trombone (DE LB K/K10/112/14 Lexan, Brass Ark MV50R)
                          1947 Olds "Standard" trombone (Olds #3)

                          Comment

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