Sponsor Banner

Collapse

yamaha neo euphonium?

Collapse
X
 
  • Filter
  • Time
  • Show
Clear All
new posts
  • bbocaner
    Senior Member
    • May 2009
    • 1449

    yamaha neo euphonium?

    Dillon music posted a photo from NAMM of what looks like a new yamaha neo euphonium. Anyone there? Anyone have any details?

    --
    Barry
  • Euphdad
    Senior Member
    • Aug 2007
    • 156

    #2
    yamaha neo euphonium?

    I think that's a typo, it probably should be "new" euphonium.

    Comment

    • euphkidd
      Member
      • Jul 2008
      • 90

      #3
      yamaha neo euphonium?

      I think Neo might actually be correct here.

      http://usa.yamaha.com/products...yep-642ii/?mode=model


      I cant tell a difference from the 642 but it may just be me.

      Comment

      • Nuck81
        Senior Member
        • Jan 2010
        • 169

        #4
        yamaha neo euphonium?

        Pretty cool. I'm quite curious to know what tweaks and changes were made to the design and specs.



        Is it just me or does the picture of the Laquer version have the "infamous" Rose Brass leadpipe? Edit: According to the Specs it's "Gold Brass" interesting



        Granted that is a picture of the actualy euphonium and not a stock placeholder pic...

        Comment

        • Euphdad
          Senior Member
          • Aug 2007
          • 156

          #5
          yamaha neo euphonium?

          Go figure.

          Comment

          • davewerden
            Administrator
            • Nov 2005
            • 11136

            #6
            yamaha neo euphonium?

            Originally posted by: Nuck81Is it just me or does the picture of the Laquer version have the "infamous" Rose Brass leadpipe? Edit: According to the Specs it's "Gold Brass" interesting
            The term Gold Brass is often used for what I would call Red Brass. The bell of the Sterling I play is that type of material. I call it Red Brass and so does Sterling. I think there really may be a physical difference between Red Brass and Gold Brass, probably in the amount of copper in the alloy. Yellow Brass has less copper than either.

            Dave Werden (ASCAP)
            Euphonium Soloist, U.S. Coast Guard Band, retired
            Adams Artist (Adams E3)
            Alliance Mouthpiece DC3, Wick 4AL, Wick 4ABL
            YouTube: dwerden
            Facebook: davewerden
            Twitter: davewerden
            Instagram: davewerdeneuphonium

            Comment

            • Nuck81
              Senior Member
              • Jan 2010
              • 169

              #7
              yamaha neo euphonium?

              Originally posted by: davewerden
              Originally posted by: Nuck81Is it just me or does the picture of the Laquer version have the "infamous" Rose Brass leadpipe? Edit: According to the Specs it's "Gold Brass" interesting


              The term Gold Brass is often used for what I would call Red Brass. The bell of the Sterling I play is that type of material. I call it Red Brass and so does Sterling. I think there really may be a physical difference between Red Brass and Gold Brass, probably in the amount of copper in the alloy. Yellow Brass has less copper than either.




              Thanks!!



              Is this mainly a cost/production issue that determines the use of different alloys or is there a significant difference in the type of sound, timbre, and tone of the instrument depending on where the alloy is placed and what type there is.

              I never really quite got why certain instruments had different leadpipe or bells than the rest of the instrument. I always assumed the Rose brass lead pipes was used because it was cheaper since you typically found it on budget priced horns. The same reason Monel Valves have become basically standard in most horns...



              Comment

              • Gallenod
                Member
                • Mar 2010
                • 50

                #8
                yamaha neo euphonium?

                Red brass is composed of about 85 percent copper and 15 percent zinc. It has a more reddish tint is due to the high volume of copper, thus the name. Yellow brass usually contains between 60 to 70 percent copper and 30 to 40 percent zinc. Both may contain traces of lead and tin (generally no more than 2% of the total alloy), as well.

                There are two possibilities for gold brass. The first is that it fits between yellow and red brass and has a copper content between 70 to 85 percent. There is also a chance it contains traces of aluminum in addition to or instead of lead or tin to improve it's resistance to oxidation and stiffen the metal a bit.

                The lower the copper content, in theory, the brighter the sound, though I think the thickness of metal and bell shape may have more to do with that than what alloy is used. Zinc is slightly heavier than copper (they're next to each other on the periodic table of elements), so in theory all other things being equal a yellow brass bell should be slightly denser than a red/rose brass bell.

                Your mileage may vary, but my experience with owning a variety of yellow brass, rose brass, and nickel silver plated instruments is that the more mass an instrument has the less likely it it to rattle or distort at high volumes, so the thickness and engineering of the metal may be more important than the type of metal used to make the instrument.

                =======================
                Dale Long
                South Burlington VT
                Willson 2900S/Denis Wick SM3M
                B.MusEd, SUNY Potsdam, 1979
                M.M., Northwestern University, 1980
                USAF Band of the West, 1981-1985
                =======================

                Comment

                • fmanola
                  Member
                  • May 2008
                  • 108

                  #9
                  yamaha neo euphonium?

                  Originally posted by: Nuck81

                  I always assumed the Rose brass lead pipes was used because it was cheaper since you typically found it on budget priced horns.  The same reason Monel Valves have become basically standard in most horns...



                   
                  My understanding is that red brass is more resistant to red rot (less zinc in it) than some of these other types of brass. There may be a tradeoff here between corrosion resistance and various sound qualities. If so, that would explain red brass being used in the lead pipes of student-level horns; the lead pipe is small and gets a lot of moisture (some of which is less innocuous than plain old condensation!), and they may not expect students to keep the instruments as clean as more experienced players.

                  --Frank
                  Frank Manola

                  Pan American Eb, Meinl Weston 20, Wessex "Solo" EEb, King 2341 tubas
                  Besson New Standard, TE 1150 compensating euphs
                  Park Street Brass
                  Old South UMC Brass & Organ, Reading MA
                  Wakefield Retired Men's Club Band
                  Windjammers Unlimited

                  Comment

                  • bbocaner
                    Senior Member
                    • May 2009
                    • 1449

                    #10
                    yamaha neo euphonium?

                    Interesting. Specs look identical to the YEP-642, I'm curious as to where they made the tweaks, other than the leadpipe. Neo is yamaha's moniker for their new line of instruments aimed at british brass band use. I had assumed they were simply going to rebrand the 842 as a "neo" instrument, but it looks like this YEP-642II is it instead and they are leaving the YEP-842S aimed at soloists?

                    Gold or rose brass is a term often used to describe brass that is halfway in zinc/copper mix between yellow brass and red brass. To me, it makes the most difference in the bell, followed by the leadpipe, and is much less noticable in the rest of the instrument. On some of my trombones I have gold brass tuning slides, because in a trombone the main tuning slide has a larger effect on the feel and sound. I STRONGLY prefer yellow brass bells, I feel that I have a less clear and focused sound with gold or red brass.

                    Last spring at NABBA the jupiter booth dude pointed out to me that jupiter's compensating euph has gold brass tuning slides on all the valves and a gold brass leadpipe. He claimed it gave it a darker sound. I call BS on that -- I believe gold brass is used in those areas to aid in corrosion resistance. Yellow brass is vulnerable to "red rot" -- a process where acidic saliva and food particles in contact with the brass for long periods of time can actually leach the zinc right out of the brass and leave pink spots which can actually eventually corrode all the way through. I recently purchased a VERY expensive bass trumpet (new it would cost almost double a that of a new pro euphonium--so I'm sure cost is no object in them making it out of whatever they want!) that is made with a yellow brass bell but the leadpipe and ferrules are all nickel silver and all the rest of the tubing is gold brass. I asked the makers about this type of construction when I visited their workshop in germany many years ago and they told me it was for corrosion resistance.

                    Shires trombones, for example are available with gold brass leadpipes because they have a different sound and feel. Shires describes it as a "denser" sound. I believe that this has a much bigger effect on trombone for two reasons. 1: trombone is such a direct instrument. 2: trombone inner slides are pretty much always made from chrome-plated nickel silver, more for its strength and hardness than for acoustic reasons. Nickel silver instruments are often described as having a more brilliant, lighter, or more brittle sound. I think making the shift in leadpipe material makes a bigger difference on trombone where you have the difference between the leadpipe and the rest of the beginning of the tubing. Because of these two things my gut feeling is that it would have a much smaller effect on euphonium than it does on trombone, where it is already pretty subtle.

                    So has yamaha made the leadpipe out of gold brass for corrosion resistance reasons or for the sound? Beats me!

                    --
                    Barry

                    Comment

                    • JTJ
                      Senior Member
                      • Nov 2005
                      • 1089

                      #11
                      yamaha neo euphonium?

                      This could be an interesting development -- a 642 set up with a brass band sound in mind. The standard 642 is solid and a very good instrument. I look forward to trying one.

                      Also interesting that it is the 642, not the 842, given a recent artistic defection to Besson.

                      Comment

                      • JTJ
                        Senior Member
                        • Nov 2005
                        • 1089

                        #12
                        yamaha neo euphonium?

                        Here's the press release. Can anyone comment of the players mentioned: Bill Millar, Steven Walsh, David King?

                        ****

                        ANAHEIM, Calif. - Yamaha Corporation of America, Band and Orchestral Division today introduced the YEP-642II Professional Euphonium, the result of collaboration with a number of leading British brass band musicians including Bill Millar, Steven Walsh and David King.

                        A part of the Yamaha "Neo" line of brass band instruments, the YEP-642II features a compensating system for superior intonation, ensuring the player superior control over tone. The Euphonium's hand-hammered yellow-brass bell offers an advanced taper design for maximum projection and a dark tonal color. The non-corrosive, gold-brass lead pipe also has a taper design that allows greater control and response. All slide tubing is nickel-silver for improved tone and corrosion resistance.

                        Ideal for both professional and aspiring euphonium players, the YEP-642II is an upgrade to the YEP-642 and YEP-642S Euphoniums. Available in lacquer and silver finishes, the new design enhances the consistently strong reputation of the previous models.

                        "Equally at home in a solo or ensemble setting, the YEP-642II creates solo lines that come singing through effortlessly and ensemble moments that are balanced with ease," noted Roger Eaton, Director of Marketing, Yamaha Band and Orchestral Division.

                        The YEP-642II Professional Euphonium will ship in Winter 2011 with an MSRP of $7,816 for the lacquer model and $8,133 for the silver model.

                        Comment

                        • cochranme
                          Senior Member
                          • Sep 2008
                          • 292

                          #13
                          yamaha neo euphonium?

                          I've always thought Yamaha euphs were incredibly easy to play, but the sound that I make on them was just a bit too concentrated and direct. Now a Yamaha with a darker, fuller "brass band" sound? That would be COOOOOOOL!
                          Martin Cochran
                          Adams Performing Artist
                          mceuph75@gmail.com

                          Comment

                          • JTJ
                            Senior Member
                            • Nov 2005
                            • 1089

                            #14
                            yamaha neo euphonium?

                            "The non-corrosive, gold-brass lead pipe also has a taper design that allows greater control and response."

                            I do not know anything about design other than what I read, and I have read that British players were working with Yamaha over the years to get the lead pipe right. Perhaps this is one of the major changes giving it more off a brass band sound? Also, from what I read about bracing (mostly from Dave and Doug), would not be surprised if there were changes there.

                            MC, are you watching the interwebs? Your horn is getting a makeover!

                            Comment

                            • Nuck81
                              Senior Member
                              • Jan 2010
                              • 169

                              #15
                              yamaha neo euphonium?

                              Although I'm very ignorant of the specifics, the process of horn design is really fascinating to me.



                              It blows my mind that changing the taper of a pipe by a millimeter, or moving a brace by a few inches can have such a drastic effect on how a horn plays and responds. If only I had the chops to take advantage

                              Comment

                              Working...
                              X