I believe that they are mostly the same with the exception that the professional has a rigid inner lining. ie, the bag stands up on its own, and offers more protection than the performer. However,...
Type: Posts; User: zp6827
I believe that they are mostly the same with the exception that the professional has a rigid inner lining. ie, the bag stands up on its own, and offers more protection than the performer. However,...
I've actually been working on tonguing farther back recently and its's helped a bit. Thanks for the advice.
I also have a 1978 New Standard, and upon visiting my local technician, he advised against it referencing the durability of brass vs nylon. I want to do it, but I was wondering if there is any...
I'm a fairly advanced high school player who has bs'ed my way through many an audition with avoiding tonguing in the low register. I really struiggle to get a clear, even tone when I first tongue. It...
I've seen the Bordner studies for trombone books, and I was wondering if they were worth buying. I'm an advanced high school student, so would they be too easy/difficult for me (as a generality)?...
Thanks, ill have to check that out.
I saw that on another thread and loved it, but its for a 12" bell, not an 11.
I just purchased a New Standard (first horn of my own- SUPER excited), and it only comes with a RB gig bag. This is great, but I don't want to leave my new instrument in the dreaded instrument...
Noteflight.com might work. All I've done are little piano pieces for AP Theory, but I believe you can compose for multiple instruments.
Why would you go with the medium shank over large?
Thanks, that answered the question perfectly. If I'm taking this right, a mid/early 80s new standard euph (Large shank) would be a fairly safe bet, correct?
I always read that Bessons have had intonation problems in the past. I'm wondering exactly what years and models are most notable for that. If someone could give me a run down of the country of...