Originally Posted by
mscolegrove
Thank you for all the information!
This clears up a lot about ensemble parts, but would anything be different with solo repertoire? For example, I listen to a recording of my solo piece/excerpt and the music doesn't have much written, but the soloist is adding crescendos, adding hairpins, making one passage more separated than another, using rubato, etc. Would it be appropriate to mark down the soloist's interpretation, or try and develop this on your own through studying the music without any extra markings?