Blog Comments

  1. Davidus1's Avatar
    Thanks for this review. Given that these horns are in production it would be great to hear your thoughts on the production models. Its nice to have a variety of choices.
  2. notaverygoodname's Avatar
    Well, it's not a C instrument because it's in 9' Bb, not 8' C. Unless you have a Euphonium in 8' C. That's a thing.

    Ok, I don't actually want to type out a long and pedantic rant because a lot has already been said, but seriously. Brass instruments are historically based around the idea of reading transposed treble clef. Good luck reading concert pitch music on a natural instrument with key changes. If you can't hum every note with perfect pitch off the page, forget playing it. Another historically common thing...transposing on the fly. It's so easy, even I can do a little bit of it. Can't read anything but treble clef to save my life, but I can read C music on a Bb instrument with some practice. On the Trombone side of things, you have an alto instrument with a 25mm cup diameter and more ledger lines above the scale than the scale has lines. Really not selling me on this multiple C clefs idea.

    The way an instrument reads music can be treated as arbitrary. What we have now is what we'll have tomorrow and it works quite fine as is.
  3. davewerden's Avatar
    tonewheeler: you folks with the 5050's are special! I noticed that the Cronkhite site has one model that fits that horn, and the original model that fits everything else.

    I did not know about the lining, but that is a great feature. My current horn is not silver plated, but who knows what the future will bring.
  4. tonewheeler's Avatar
    I have a leather Cronkhite purchased several years ago. I was told it was specially made to fit the girth of my Miraphone 5050. Additionally, it has a lining which prevents tarnishing. I've never experienced any issues with it and it keeps my horn well protected.
  5. highpitch's Avatar
    My Bonna was made for a New Standard, it just fits the overall length and diameter without any bolsters. I was really lucky for find that model.

    You're right, a fellow player has a full size one and it is bulkier.

    DG
  6. daruby's Avatar
    I actually have two Conkhite's, a black cordura and a brown leather bag. My Sterling goes in the cordura bag and my Adams in the leather. Part of the reason for this pairing is my Sterling is silver plated while the Adams is in lacquer. I have experienced more rapid tarnishing in the leather bag, ergo the Sterling goes in the cordura.

    I also have a Bonna case that came with my Adams. Due to the different dimensions of my Prototype E3 (it is slightly longer than a standard E3), it will not fit in the Bonna without custom cutting of the foam bolster for the bottom bow. Plus, it is MUCH larger, heavier and awkward to carry than the Cronkhites. So it is a closet queen along with the original Besson-style hard case the Sterling came in.

    Doug
  7. highpitch's Avatar
    Good review, Dave. I too carried an Altieri for many years.

    I gave a real hard look at the leather Cronkhite, Altieri, and the Bonna.

    The Bonna won out, and I'm very pleased with it.

    Dennis
  8. Liuto's Avatar
    Being a novice euph player with a strong background of singing bass in a choir, bass clef is the obvious choice for me. Feels completely natural to me.
    I also can easily play untransposed treble clef without too much of trouble (very useful to play Lieder).
    Finally, I sort of learned to play in Bb treble clef because my teacher is a trumpet player and has lots of his stuff in Bb treble clef. I am a lot slower reading TC, but I would like to play it fluently. Main advantage: it is just like tenor clef with a few different accidentals which opens access to lots of trombone parts.
  9. davewerden's Avatar
    Thanks for the comments and your perspective! There is a valid concept on your side.

    But there is another practical side. Sax players often move to different instruments in their family, especially studio players. If you are told at the last minute to cover the soprano instead of the alto you've been using more, there may be some disagreement with "A big ol' bari sax playing in treble clef seems like an unnecessary abstraction." Clarinet players sometimes face this, but not as often unless they are also studio players. (Tuba players are not usually asked to play a particular key of tuba, so they have a little more control, and most times trumpet players do as well.)

    You may find an inconvenience in euphonium bass clef music. I have found that many (probably most?) euphonium players don't read tenor clef, so I seldom see a euphonium part that uses it for high range writing.
  10. hyperbolica's Avatar
    As a trombone player starting to play euphonium, I'm glad I don't have to wrestle with transposition on top of getting the hang of the valves. Trombone players deal with the whole ledger lines thing by using clefs. I think this is the most efficient method, because everyone stays in the same key. The movable C clef is highly practical. Tenor clef, alto clef. String players avoid the whole issue of transposition by using C clefs, especially cello and viola. When I read trumpet or clarinet music, I just read it as tenor clef and add two flats. Clefs are a great mental trick for transposition. Why should a trumpet player interpret the music differently from a piano player? The need for writing bass instruments on treble clef seems obtuse and distracting. A big ol' bari sax playing in treble clef seems like an unnecessary abstraction.

    Tuba is an example of an instrument that is written in actual pitch regardless of the fundamental pitch of the instrument playing the part. This makes sense to me.

    If I had the whole written music system to reinvent for all musical instruments, I'd definitely write for every instrument in concert pitch. It is unnecessary mental gymnastics to have a French horn part up against an alto sax, trumpet and trombone. And while I was at reinventing things, I think I'd make the "all white key" scale be called A, and I'd find a note that the orchestra can tune to that trombones can play in 1st position.;o)

    If we were all in concert pitch, there would be no argument whether euphonium is in C or Bb.