davewerden

Let me start by saying that you don't have to be a member of a church to benefit from the free lessons I discuss, although some of the lessons will have more impact on your music education with more exposure. In my case I had a gappy relationship with church. My parents, and later my older sister, took me to church regularly during my younger years. But around my 7th grade year that mostly stopped. My relationship with church started up again while I was in the early ...

REVIEW OF AUSTIN CUSTOM BRASS
EUPHONIUM MOUTHPIECES: #1, #2, and #3

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Our friends at Austin Custom Brass have been busy! A while ago we learned they produced some nice euphoniums as part of their "Doubler" instrument line. Now we learned that ACB has produced an interesting line of euphonium mouthpieces!

There are three models, numbered simply 1, 2, and 3. However, what is not so simple is the way the numbers relate to each design. ...

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NOTE: this article assumes your playing is already at a high enough level to be a soloist. I want to discuss other considerations. But even if your playing is not there yet, the tips below are good to keep in mind!

Many euphonium players hope to become a featured soloist with a wind/brass/military band, and there is a good reason for that. Euphoniumists have been soloing with bands since the 1800's, and our history is rich with accomplished soloists. A few very old recordings, and many ...

Adams has created an instrument that is unusual and useful. As far as I recall, this is the first time a fully-professional euphonium has been built with a 3+1 valve system that is non-compensating. Normally we in the euphonium world think of non-comp euphoniums as being student or intermediate instruments, so Adams apparently decided to go a step beyond that concept with the Sonic.

"But, why?" you might ask. I asked myself that same question! In my opinion (I did not yet have a chance ...

Here is a nice review from the ITEA Journal, Volume 44, #1. Used with the permission of ITEA:

13 Selected Rose Etudes by Cyrille Rose transcribed and edited for euphonium by David R. Werden. Cimarron Music Press. 15 Corrina Lane, Salem, CT 06420. 860-536-2185. Fax: 888-235-1772. sales@cimarronmusic.com. www.cimarronmusic.com. CM 2703. 2015. $20.

David Werden served as the euphonium soloist with The United States Coast Guard Band and is an active euphonium soloist and educator ...

Many of you know I recently became (officially) an Alliance Artist. I was using an Alliance DC4 and now use the DC3, after many years of playing other mouthpiece from the Denis Wick brands.

It is an usually comfortable mouthpiece! I don't know if it is because of the rim width or contour alone, or if the cup and backbore contribute to comfort by the way the respond. Whatever the case, it surely feels great! I have to thank David Childs for putting me on that track, because I had become ...

Adams has a long history of making fine musical instruments, which began about 50 years ago with their percussion line. Roughly 15 years ago they began adding brass to their line. Euphoniums started appearing soon after. Adams numbered their euphoniums 1, 2, and 3 based solely on the order in which the models were designed - the numbers are not a hierarchy or indication of relative quality. They are all professional instruments, but made for different tastes.

All 3 models come with ...

On my forum and other places euphonium players have discussed the benefit of replacing the standard bottom cap of the 4th valve with a heavier version. The first I heard of this is when I was a Sterling artist. They sent me one for my Sterling Virtuoso and I liked it. The tone and center seemed a bit better for most music. For music that was light and "bouncy" I tended to prefer the standard cap (but that may have just been in my head). Regardless, it was easy to change the cap when I wanted. ...