I usually refer to my horn as an "Adams euphonium" but the more proper name would be an "Adams Custom euphonium." Because so much of the work of building the horn is done by hand the factory is fairly flexible about making alterations.
In my case I asked for two "comfort" options for mine:
I wanted the leadpipe angle just a bit more horizontal so it matched my "upstream" embouchure better. While I was at the factory they tried several leadpipe bends for me. The horn I was using
Here is the latest in my series of videos that might be called "Songs that Are Easy Enough for Anyone to Play, but Are Good Musical Practice." (I need to work on that title a bit, though!)
I'm sure most of you will know the song from the classic movie "The Wizard of Oz" where this song is sung by the scarecrow. As with some of the others in this series, the style is lighter than many euphonium players typically attempt. Yet it is a very important side of musical style to develop. And
I just uploaded a new euphonium/piano video to my YouTube channel. In this one we are playing a song that I heard in the movie "The Glenn Miller Story" called "I Know Why (and So Do You)." The series of videos I've been doing lately are partly intended to give players ideas about songs they can perform to help develop style. I've been choosing songs that don't require advanced technique or range, and as such they would be doable by anyone from high school on up. They would be a good way to help
Naturally I spent the most time at the Adams booth. This was partly due to not being able to get away for large blocks of time because there were so many euphonium players asking about and trying the horns! The interest this year was very high, and some of the display horns were even sold and taken before the event was over.
Adams had seven instruments at ITEC, as follows (going from memory, so...):
.50, gold brass, bright silver plated
.55, yellow brass, brushed finish
I've been anxious to try the next two horns you'll find below. Both have enjoyed some "good press" recently. The Wessex is in the lower end of the mid-price range that is an important point of discussion these days. The Jupiter XO is in the beginning of the upper price range, and as such has well-established competition slightly above its price.
I had two chances to play the Jupiter XO, and my impressions were similar each time. The horn plays well overall, with good
One stop enabled me to try three different horns I was interested in testing: the JP Sterling 4-valve compensating Eb Tuba, 3-valve compensating baritone horn, and 4-valve compensating euphonium. DF Music had all those, and several other horns, on display for testing.
The tuba did not take me very long at all. I quickly discovered that my tuba chops were apparently still back in Minnesota that day. At first the horn seemed stuffy, but then I realized it was my chops
I was able to be at ITEC 2014 in Bloomington, Indiana, for three days. That wasn't enough time because there was an unbelievable number of quality presentations, but it was all the time I had available. I did a rather poor job of getting to all those recitals I had highlighted in my schedule and did not see as many old friends as I had hoped (although I also had some great and welcome conversations with the friends I did encounter). On the other hand, I did make good progress on two self-assigned
Here is a very lovely song (almost a contemporary American hymn) from the movie by the same name. It is a new movie made by a tiny Christian production company, so it is doubtful that most of you would have seen the movie. The composer is Bruce Broughton (Academy Award winning composer of Silverado and many other soundtracks).
This video is from a church service offertory, so you will hear some background noises. On piano is Sara Brunk. During the service we projected the words on our