Reprinted with permission of the author.
Preamble by Dave Werden:
The story below is interesting on a couple of fronts. But the main reason I asked permission to reprint it here is to give my readers food for thought about the whole concept of "ownership" in the digital world. There is also a question of permanency with digital files. That last statement may seem questionable, but consider the following.
I already know that there was a case where Amazon
Updated 05-18-2016 at 07:13 PM by davewerden
The main portion of my site now has a new design. It was time to freshen the look, and it was really time to make the site more mobile friendly. The site should now automatically adjust to the size of the small screen (you can try it by re-sizing your desktop PC's browser window if you want).
So far I have modified the home page, About Us section, articles, book, music, and a few other pages. There are more on my list to do, and I will get to them when I have a chance.
Updated 05-12-2016 at 04:55 PM by davewerden
I was just asked for a list of pieces suitable for an amateur quartet. The particular question in this case was about using them at an OcTubaFest, but these suggestions should work for several situations. Note that all are available as printed music or immediate download.
The title of this post mentions "Starter" but these are not for raw beginners. I'm referring to tunes to help get your group's repertoire started, although I have tried to stay within a fairly easy realm. If you can
Updated 01-20-2016 at 08:46 PM by davewerden
Would you like to be able to sight read better? Would you like to be able to improve your technique? Would you like to relax more when playing music so you can focus on the music instead of the notes? Then keep reading!
I have always emphasized that students and advanced players should be doing scales and arpeggios every day. You should know them well enough to incorporate them in your practice without needing music in front of you. That step may take a while, but it is not too difficult
I've had several questions about my cadenza in my solo of Concert Polka. On YouTube the video I posted of this solo features a different cadenza from what is written. It has a couple non-standard techniques. The simpler of the two is simply a "messy gliss" (like a French horn section often does in dramatic passages, where their upward slur is not clean, but rather includes all the partials along the way). The second one is simple enough if you have a decent lip trill ability, but it will test your
When I was younger I more-or-less assumed that a valve (piston) was a solid rod with holes drilled in it. I never stopped to think about the difficulties of drilling curved passages into a solid tube. Later I figured out that the valves were actually hollow, but how they were made was still a mystery. Now that I have seen the process in person I thought I would share it here. I don't have photos of that experience, but Adams was kind enough to provide me with some photos (not from an Adams euphonium),
Updated 10-08-2015 at 07:48 AM by davewerden
One would ordinarily think a piece in 4/4, named "Romance," marked "Moderato," where the quickest rhythm is in a few dotted-eighth/sixteenth figures would be pretty easy, right? Well, OK, it's in A concert, but that is one of the standard scales taught in school and used in high school band pieces (sometimes, anyway).
There are two harder things about this piece. One is the upper range, which goes to a high C# concert (D# treble). That's a bit tough. But I find the hardest facet by
Updated 09-29-2015 at 06:10 PM by davewerden
Here is your chance to learn a little more about Adams. The video centers largely on two Adams trumpet artist, but you can hear discussions with Miel Adams (he's the one with blonde hair!) and get a peek at the factory and showroom. It's pretty fun to watch and you can get an idea of the interaction between the artist and the manufacturer.