One of my favorite solos of Rafael Mendez is Hejre Kati. It was the first of his solos for which I purchased the sheet music while in high school, and I also played it in later years with the Coast Guard Band. Here is my euphonium-piano performance of that piece from my recent recital at the University of Iowa:
With only one rehearsal for the entire recital, we did not get all the tempos and interactions where I wanted them, but I think the piece comes
On a recent recital at the University of Iowa I performed Bydlo, from Pictures at an Exhibition. In the orchestral version (orchestrated by Ravel) this solo part is played on either tuba or euphonium. It was probably first played on a high-C French tuba (a step above the Bb euphonium), so among common instruments today the euphonium is a very logical choice to play it.
Much as I did with my arrangement of the March from Holst's Second Suite, I have arranged Bydlo for euphonium and piano
Vibrato is a part of virtually every advanced euphonium performance. Among other instruments, it is used for most of the playing on strings, and much of the playing on cornet, trumpet, trombone, and tuba in the brasses, and flute, oboe, and saxophone in the woodwinds. French horn players don't use it as much in the USA, although Europeans use it more. The same is true for clarinet. Vocalists use vibrato most of the time. Clearly, any player beyond beginner level will need to learn how to produce
Our friends at Quick Horn Rinse have come up with another great solution to problems that many euphonium players face. The design and dimensions of modern euphoniums can make it tiring to hold them in the optimal playing position during concerts, rehearsals, and practice. Our tendency is to rest the bottom of the horn on the left leg. That relieves stress on the arms, but it usually places the mouthpiece too low, which results in players slouching to meet the mouthpiece.
This is from a live concert by the U. S. Army Field Band. It is an example of what a little imagination can do with a march that is already impressive, and then becomes a genuine crowd pleaser! Video features Sergeant First Class Christopher Sarangoulis and Staff Sergeant Lauren Veronie on euphoniums.
This is undoubtedly very difficult to do, either live or in practice, but they did it! What I like about this is that the march is first (apparently) played all the way through normally,
I've been asked to do a new project this year. Brian C. Wilson of iplayeuphonium.com is working to obtain recorded examples of the all-state audition pieces for all 50 U.S. states. I am doing the example for Minnesota.
In this state a composer writes a special etude each year, which is one way to make sure there is an even playing field (i.e. the chosen piece is not one that anyone happened to have played in a lesson last year or something). Composer Timothy Mahr includes quite a lot
Here is my newest video. It's my second song from Showboat (the first was "Old Man River") and it's simply titled "Bill." It's a pretty love song that I liked the first time I heard it. In this case I'm playing it pretty straight - no ornamentation to speak of.
The sheet music is available for download here:
Bill Ricker is a doer. He sees a need in the realm of brass instruments and his mind starts working on solutions. He is the inventor of the very useful Quick Horn Rinse (QHR) for encouraging us to keep our horns clean by making it more painless. Now he has come up with a solution for those who struggle holding the horn securely without straining their left wrist over the long term.
I have in the past used a "Duck Foot" that was custom made for Glenn Call. It was a curved metal brace